MARC Record from Library of Congress

LEADER: 01680cam a2200325 a 4500
001 2011464332
003 DLC
005 20140408075649.0
008 110520s2010 sw a 000 0deng
010 $a 2011464332
020 $a9789185689309
020 $a9185689300
035 $a(OCoLC)ocn696727540
040 $aERASA$cERASA$dYDXCP$dCDX$dOHX$dBWX$dTXA$dDLC
041 1 $aeng$hswe
042 $alccopycat
043 $ae-sw---
050 00 $aN7093.H93$bA4 2010
100 1 $aHydman-Vallien, Ulrica,$d1938-
245 10 $aUlrica Hydman Vallien :$ba paradise attack /$c[text], Staffan Bengtsson, Björn Boode, Jelena Zetterström.
246 30 $aParadise attack
260 $aStockholm :$bArvinius Förlag$cc2010.
300 $a159 p. :$bcol. ill. ;$c22 cm.
520 8 $aSummary: Style sometimes turns into a trademark. For half a century now Ulrica Hydman Vallien has been supplying us with her images and symbols. Serpents have wriggled over paintings, glass and textile fabrics. Eyes have gazed out from dishes and vases. Fantasy beasts and human figures have been united in a longing for Paradise. Uniquely among Swedish designers and artists, Ulrica Hydman Vallien has prospered by her supremely personal style. Her commercial success is enormous. In the book Ulrica Hydman Vallien A Paradise Attack we step into this idiosyncratic pictorial world through the medium of the ceramics, the painting and the glass.
600 10 $aHydman-Vallien, Ulrica,$d1938-
650 0 $aGlass art$zSweden$xHistory$y20th century.
650 0 $aGlass art$zSweden$xHistory$y21st century.
700 1 $aBengtsson, Staffan.
700 1 $aBoode, Björn.
700 1 $aZetterström, Jelena.