Record ID | marc_loc_2016/BooksAll.2016.part40.utf8:131983899:2006 |
Source | Library of Congress |
Download Link | /show-records/marc_loc_2016/BooksAll.2016.part40.utf8:131983899:2006?format=raw |
LEADER: 02006cam a22003497a 4500
001 2012510122
003 DLC
005 20140312081047.0
008 121207s2012 gw a b 000 0 eng d
010 $a 2012510122
016 7 $a016294072$2Uk
020 $a9783050059082
020 $a3050059087
035 $a(OCoLC)ocn817948580
040 $aPMN$cPMN$dOCLCO$dIXA$dFXM$dFDA$dUKMGB$dYDXCP$dDLC
042 $alccopycat
043 $ae-uk---
050 00 $aN8219.K5$bH55 2012
100 1 $aHille, Christiane.
245 10 $aVisions of the courtly body :$bthe patronage of George Villiers, first Duke of Buckingham, and the triumph of painting at the Stuart Court /$cChristiane Hille.
260 $aBerlin :$bAkademie Verlag,$c2012.
300 $aix, 302 p. :$bill. (some color) ;$c24 cm.
500 $a"This book was submitted as a PhD thesis to Humboldt-Universität Berlin in 2008." (p. IX)
520 $a"As the first comprehensive study of Buckingham's patronage of the visual arts, this book is concerned with the question of how the painted image of the courtier transferred strategies of social distinction that had originated in the masque to the language of painting. Establishing a new grammar in the competing rhetorics of bodily self-fashioning, this recast notion of portraiture contributed to an epistemological change in perceptions of visual representation at the early modern English court, in the course of which painting advanced to the central art form in the aesthetics of kingship." (cover - p. 4)
504 $aIncludes bibliographical references (p. 272-301).
600 10 $aBuckingham, George Villiers,$cDuke of,$d1592-1628$xArt collections.
600 30 $aStuart, House of.
651 0 $aGreat Britain$xHistory$yJames I, 1603-1625.
651 0 $aGreat Britain$xHistory$yCharles I, 1625-1649.
651 0 $aGreat Britain$xCourt and courtiers$xHistory$y17th century.
651 0 $aGreat Britain$xKings and rulers$vPortraits.
650 0 $aMasques, English$xHistory and criticism.