MARC Record from Library of Congress

LEADER: 03397cam a22003857a 4500
001 2012534306
003 DLC
005 20131218075656.0
008 120612s2012 mx a bc 000 0 spa d
010 $a 2012534306
020 $a9789686623857
020 $a968662385X
035 $a(OCoLC)ocn800017657
040 $aCVcHKB$beng$cPUL$dJPG$dDLC
041 0 $aspa$aeng
042 $alccopycat
050 00 $aN6659.N475$bA4 2012
100 1 $aNeto, Ernesto,$d1964-
245 13 $aLa lengua de Ernesto =$bErnesto's tongue : Ernesto Neto : Obras = Works 1986-2011 /$c[editor: Adriano Pedrosa ; textos: Adriano Pedrosa, Jessica Morgan, Miguel López].
246 31 $aErnesto's tongue
246 31 $aErnesto Neto :$bObras 1986-2011
246 31 $aErnesto Neto :$bWorks 1986-2011
260 $aMonterrey, Mexico :$bMuseo de Arte Contemporáneo de Monterrey,$c2012.
300 $a398 p. :$bill. (chiefly col.) ;$c30 cm.
500 $aPublished on the occasion of an exhibition "La lengua de Ernesto. Retrospectiva 1986-2011" held December 9, 2011 - April 1st, 2012 at the MARCO, Monterrey, México.
546 $aSpanish and English.
520 8 $aErnesto Neto (b. Rio de Janeiro 1964) is one of the most important proponents of the Neo-Concrete movement, an art trend that started in Brazil in the 1950's. The exhibition "Ernesto's Toungue" was a retrospective comprising a selection of sculptures and installations created by artist Ernesto Neto in the last 24 years. The exhibition, described as a playground with sensorial and interactive possibilities includes drawings, sculptures, photographs and his small and monumental abstract installations that invited the visitor to smell, feel, touch, listen and use them and where the main elements and materials used in his works are the elasticity of the fabrics, the force of gravity, spices and polythene foam. The present book published on the occasion of the exhibition "gathers and organizes works and images in order to begin to envision a wider panoramic view of Ernesto's oeuvre. For this publication we selected in close dialogue with the artist the most significant exhibitions and projects since 1968, thus encompassing 25 years of production (...) we documented all of Ernesto Neto's individual exhibition catalogues, reproducing them in the book. The codifying and cataloguing drives led us to organize the book in a strictly chronological manner, privileging exhibitions over individual works"--P. [9].
504 $aIncludes bibliographical references.
505 00 $tPrefacio =$tForeword /$rNina Zambrano --$tPrefacio =$tForeword /$rConsuelo Sáizar --$tPrefacio =$tForeword /$rXimena Caminos --$tLa lengua de Ernesto =$tErnesto's tongue /$rAdriano Pedrosa --$tLo mejor esta por venir /$rMiguel A. López --$tEsculturas íntimas =$tIntimate sculptures /$rAdriano Pedrosa --$tCharla en Buenos Aires =$tConversations in Buenos Aires /$rJessica Morgan --$tImágenes de obras =$tImages of works --$tBibliografía ilustrada =$tIllustrated bibliography --$tPies de fotografía =$tPhotographic captions --$tLista de obras en la exposición =$tExhibition checklist.
600 10 $aNeto, Ernesto,$d1964-$vExhibitions.
650 0 $aInstallations (Art)$zBrazil$vExhibitions.
700 1 $aPedrosa, Adriano.
700 1 $aMorgan, Jessica,$d1968-
700 1 $aLópez, Miguel.
710 2 $aMuseo de Arte Contemporáneo de Monterrey.