MARC Record from Library of Congress

LEADER: 04629cam a22003617a 4500
001 2012950682
003 DLC
005 20150109080836.0
008 121001s2012 nyua bc 001 0 eng c
010 $a 2012950682
020 $a9780870708282$q(hbk.)
020 $a0870708287$q(hbk.)
020 $a9780500239025
020 $a0500239029
035 $a(OCoLC)ocn794364488
040 $aBTCTA$beng$cBTCTA$dERASA$dMMX$dOCLCO$dYDXCP$dNUI$dCPL$dOSU$dBWX$dZAD$dCDX$dFDA$dVP@$dA7U$dOCLCA$dNLGGC$dDEBSZ$dOCLCQ$dOCLCF$dOCLCQ$dOCLCO$dNYWWB$dOCLCQ$dDLC
042 $apcc
050 00 $aN6494.A2$bI58 2012
084 $a20.70$2bcl
245 00 $aInventing abstraction, 1910-1925 :$bhow a radical idea changed modern art /$c[organized by] Leah Dickerman ; with contributions by Matthew Affron ... [et al.].
246 30 $aHow a radical idea changed modern art
260 $aNew York :$bMuseum of Modern Art :$bDistributed in the United States and Canada by Artbook/D.A.P.,$cc2012.
300 $a376 p. :$bill. (some col.) ;$c32 cm.
500 $a"Organized by Leah Dickerman, Curator, with Masha Chlenova, Curatorial Assistant, Department of Painting and Sculpture"--P. 375.
500 $a"Published in conjunction with the exhibition Inventing Abstraction, 1910-1925 at The Museum of Modern Art, New York, December 23, 2012-April 15, 2013"--P. 375.
504 $aIncludes bibliographical references and index.
505 00 $tInventing abstraction /$rLeah Dickerman --$tPablo Picasso :$tthe Cadaqués experiment /$rYve-Alain Bois --$tColors and games :$tmusic and abstraction, 1909 to 1912 /$rDavid Lang --$tVasily Kandinsky, without words /$rLeah Dickerman --$tMr. Kupka among verticals /$rLanka Tattersall --$tOn the move /$rHubert Damisch --$tAbstraction chez Delaunay /$rGordon Hughes --$tContrasts of colors, contrasts of words /$rMatthew Affron --$tLéopold Survage's paper cinema /$rJodi Hauptman --$tWith color /$rRachael Z. Delue --$tFrancis Picabia :$tabstraction and sincerity /$rMichael R. Taylor --$tFernand Léger :$tmetallic sensations /$rMatthew Affron --$tGiacomo Balla :$tthe most luminous abstraction /$rEster Coen --$tParole in libertà /$rJodi Hauptman --$tMusic, noise, and abstraction /$rChristoph Cox --$tVorticism :$tplanetary abstraction /$rMatthew Gale --$tPainting stripped bare /$rDavid Joselit --$tDecoration and abstraction in Bloomsbury /$rMatthew Affron --$tAgainst the circle /$rRachael Z. Delue --$tEarly Russian abstraction, as such ;$t0.10 /$rMasha Chlenova --$tPiet Mondrian :$ttoward the abolition of form /$rYve-Alain Bois --$t3 De Stijl models /$rYve-Alain Bois --$tThe spatial object ;$tThe language of revolution /$rMaria Gough --$tSense and non-sense /$rHal Foster --$tDanced abstraction :$tRudolf von Laban /$rMark Franko -- Danced abstraction :$tMary Wigman /$rMark Franko --$tThe color grid /$rLanka Tattersall --$tThe abstract environment /$rMaria Gough --$tEarly abstraction in Poland /$rJaroslaw Suchan --$tWhite shadows :$tphotograms around 1922 /$rSusan Laxton --$tRhythmus 21 and the genesis of filmic abstraction /$rPhilippe-Alain Michaud --$tThe absolute film /$rAnton Kaes --$tConcrete abstraction /$rPeter Galison --$tAbstraction in 1936 :$tBarr's diagrams /$rGlenn D. Lowry --$tAbstraction in 1936 :$tCubism and abstract art at the Museum of Modern Art /$rLeah Dickerman.
520 $aIn 1912, in several European cities, a handful of artists--Vasily Kandinsky, Frantisek Kupka, Francis Picabia and Robert Delaunay--presented the first abstract pictures to the public. Inventing Abstraction, published to accompany an exhibition at The Museum of Modern Art, celebrates the centennial of this bold new type of artwork. It traces the development of abstraction as it moved through a network of modern artists, from Marsden Hartley and Marcel Duchamp to Piet Mondrian and Kazimir Malevich, sweeping across nations and across media. This richly illustrated publication covers a wide range of artistic production--including paintings, drawings, books, sculptures, film, photography, sound poetry, atonal music and non-narrative dance--to draw a cross-media portrait of these watershed years. An introductory essay by Leah Dickerman, Curator in the Museum's Department of Painting and Sculpture, is followed by focused studies of key groups of works, events and critical issues in abstraction's early history by renowned scholars from a variety of fields.
650 0 $aArt, Abstract$vExhibitions.
650 0 $aArt, Modern$y20th century$vExhibitions.
700 1 $aDickerman, Leah,$d1964-
700 1 $aAffron, Matthew,$d1963-
710 2 $aMuseum of Modern Art (New York, N.Y.)