| Record ID | marc_loc_2016/BooksAll.2016.part40.utf8:217404972:1233 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part40.utf8:217404972:1233?format=raw |
LEADER: 01233cam a2200325 i 4500
001 2013016929
003 DLC
005 20140418081807.0
008 130425s2013 nyu b 001 0 eng
010 $a 2013016929
020 $a9781441157027 (pbk. : alk. paper)
020 $a9781441101815 (hardcover : alk. paper)
020 $z9781441137593 (ebook (epub)
020 $z9781441173485 (ebook (pdf)
040 $aDLC$beng$cDLC$erda$dDLC
042 $apcc
050 00 $aML3800$b.C166 2013
082 00 $a780.1$223
100 1 $aCampbell, Edward,$d1958-
245 10 $aMusic after Deleuze /$cEdward Campbell.
264 1 $aNew York :$bBloomsbury Academic,$c2013.
300 $a194 pages ;$c23 cm.
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
490 0 $aDeleuze encounters
504 $aIncludes bibliographical references (pages 175-186) and index.
505 0 $aMusic, difference and repetition -- Producing new music : rhizomes, assemblages and refrains -- Rethinking musical pitch : the smooth and the striated -- Thinking musical time -- A Deleuzian semiotics of music.
650 0 $aMusic$xPhilosophy and aesthetics.
600 10 $aDeleuze, Gilles,$d1925-1995$xAesthetics.