| Record ID | marc_loc_2016/BooksAll.2016.part40.utf8:220647575:1444 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part40.utf8:220647575:1444?format=raw |
LEADER: 01444cam a2200277 i 4500
001 2013019023
003 DLC
005 20140321081809.0
008 130531s2013 nyua bq 001 0 eng
010 $a 2013019023
020 $a9781137361035 (alk. paper)
040 $aDLC$beng$cDLC$erda$dDLC
042 $apcc
050 00 $aPN1995.9.H6$bJ33 2013
082 00 $a791.43/6164$223
100 1 $aJackson, Kimberly,$d1975-
245 10 $aTechnology, monstrosity, and reproduction in twenty-first century horror /$cKimberly Jackson.
264 1 $aNew York, NY :$bPalgrave Macmillan,$c2013.
300 $a175 pages :$billustrations ;$c23 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aIncludes bibliographical references (pages 159-166) and index.
505 0 $aIntroduction: imagining the ends of horror and of humanity -- Meta-horror and simulation in the scream series and The cabin in the woods -- The image goes viral--virtual hauntings in The ring and Feardotcom -- The image as voracious eye in The Blair witch project, the paranormal activity series and cloverfield -- Memory, pregnancy, and technological archive in Dark water and The forgotten -- The end of patriarchy: defining the postmodern prometheus in Splice and Prometheus -- Conclusion: a new mythology for techno-humanity.
650 0 $aHorror films$xHistory and criticism.
650 0 $aTechnology in motion pictures.