| Record ID | marc_loc_2016/BooksAll.2016.part40.utf8:222445000:1386 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part40.utf8:222445000:1386?format=raw |
LEADER: 01386cam a2200301 a 4500
001 2013020135
003 DLC
005 20140416080616.0
008 130605s2013 nyua bq 001 0 eng
010 $a 2013020135
020 $a9781782380771 (hardback : alk. paper)
020 $a1782380779 (hardback : alk. paper)
020 $z9781782380788 (institutional ebook)
040 $aDLC$cDLC
042 $apcc
043 $ae-ur---
050 00 $aTR848$b.C38 2013
082 00 $a777$223
100 1 $aCavendish, Philip.
245 14 $aThe men with the movie camera :$bthe poetics of visual style in Soviet avant-garde cinema of the 1920s /$cPhilip Cavendish.
260 $aNew York :$bBerghahn Books,$c2013.
300 $axii, 342 p., [8] p. of plates ;$billustrations ;$c24 cm.
500 $aIncludes filmography.
504 $aIncludes bibliographical references (p. 304-324) and index.
505 0 $aIntroduction -- The theory and practice of camera operation within the Soviet avant-garde of the 1920s -- Eduard Tisse and Sergei Eisenstein -- Anatolii Golovnia and Vsevolod Pudovkin -- Andrei Moskvin and the Factory of the Eccentric Actor -- Danylo Demutskyi and Oleksandr Dovzhenko -- Conclusion.
650 0 $aCinematography$zSoviet Union$xHistory.
650 0 $aExperimental films$zSoviet Union$xHistory and criticism.
650 0 $aSilent films$zSoviet Union$xHistory and criticism.