| Record ID | marc_loc_2016/BooksAll.2016.part40.utf8:229826039:1595 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part40.utf8:229826039:1595?format=raw |
LEADER: 01595cam a2200301 i 4500
001 2013024783
003 DLC
005 20141003081739.0
008 130730s2013 nyu b 001 0 eng
010 $a 2013024783
020 $a9781137374707 (hardcover : alk. paper)
040 $aDLC$beng$cDLC$erda$dDLC
042 $apcc
043 $an-us---
050 00 $aPN1995.9.P6$bN46 2013
082 00 $a791.43/6581$223
100 1 $aNelson, John S.,$d1950-
245 10 $aPopular cinema as political theory :$bidealism and realism in epics, noirs, and satires /$cJohn S. Nelson.
250 $aFirst edition.
264 1 $aNew York, NY :$bPalgrave Macmillan,$c2013.
300 $axii, 249 pages ;$c23 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aIncludes bibliographical references (pages 209-242) and index.
505 0 $aDoing political theory with popular films: styles in action in everyday life -- An epic comeback? post-western politics in film and theory -- Rhythms of political satire: post-modern politics in words, musics, and movies -- Realism as a political style: noir insights -- Noir in paradise: testing and twisting realist politics -- Conclusion -- Unsettling idealism versus realism: perfectionism in two classics of neo noir -- Appendix A: Classic film noir according to critical consensus -- Appendix B: Some interim noir films according to commentators -- Appendix C: Neo-noir films according to Nelson.
650 0 $aMotion pictures$xPolitical aspects$zUnited States.
650 0 $aPolitics in motion pictures.