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MARC Record from Library of Congress

Record ID marc_loc_2016/BooksAll.2016.part40.utf8:255824041:3212
Source Library of Congress
Download Link /show-records/marc_loc_2016/BooksAll.2016.part40.utf8:255824041:3212?format=raw

LEADER: 03212cam a2200409 i 4500
001 2013041339
003 DLC
005 20140611081455.0
008 131104s2014 nyua bc 001 0deng
010 $a 2013041339
020 $a9780300191714 (hardback)
040 $aDLC$beng$erda$cDLC$dDLC
042 $apcc
050 00 $aNX512.A55$bA4 2014
082 00 $a730.92$223
084 $aART026000$aPOE005010$aART006000$2bisacsh
245 00 $aCarl Andre :$bsculpture as place, 1958-2010 /$cby Philippe Vergne and Yasmil Raymond ; texts by Christophe Cherix, Manuel Cirauqui, Brooke Holmes, Vincent Katz, Marjorie Perloff, Arnauld Pierre, Yasmil Raymond, Alistair Rider, Anne Rorimer, Phyllis Tuchman, Philippe Vergne, and Mika Yoshitake.
264 1 $aNew York :$bDia Art Foundation,$c[2014]
300 $a398 pages :$billustrations ;$c29 cm
336 $atext$2rdacontent
336 $astill image$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
500 $aEdited by Michelle Piranio and Jeremy Sigler.
520 $a" Carl Andre (b. 1935) redefined the parameters of abstract sculpture in the 1960s and 1970s. He was a highly influential voice in the American minimalist movement, recognized for his ordered linear and grid formats. In the early 1960s, Andre's creative focus shifted to writing poetry when he took a job as a freight brakeman and conductor for the Pennsylvania Railroad. His poems echoed and extended the themes in his sculptural work, and his experience with the railroad significantly influenced his choice of materials in later years. In this stunning catalogue, which accompanies the first retrospective of Andre's work since 1970, the artist's legacy is examined in eleven essays by international scholars. The book presents a broad range of sculpture made over the past fifty years, including Andre's emblematic floor and corner pieces, highlighting his radical use of standardized units of industrial material such as timber planks, concrete blocks, and metal plates. A vast selection of Andre's previously unpublished concrete poems, together with letters, postcards, ephemera, and documentation of important installations, further complements our understanding of an essential figure in the history of contemporary art. "--$cProvided by publisher.
520 $a"Accompanies a retrospective of Carl Andre's work at Dia:Beacon, New York. Presents a range of sculpture made from 1958 to 2010, as well as a selection of previously unpublished poems, ephemera, and documentation of installations. Includes texts by international authors and scholars"--$cProvided by publisher.
504 $aIncludes bibliographical references (pages 372-375) and index.
600 10 $aAndre, Carl,$d1935-$xThemes, motives$vExhibitions.
650 7 $aART / Sculpture & Installation.$2bisacsh
650 7 $aPOETRY / American / General.$2bisacsh
650 7 $aART / Collections, Catalogs, Exhibitions / General.$2bisacsh
700 1 $aVergne, Philippe.
700 1 $aRaymond, Yasmil.
700 1 $aPiranio, Michelle,$eeditor.
700 1 $aSigler, Jeremy,$eeditor.
700 12 $aAndre, Carl,$d1935-$tWorks.$kSelections.
710 2 $aDia:Beacon (Art museum)