MARC Record from Library of Congress

LEADER: 01658cam a2200325 i 4500
001 2013047108
003 DLC
005 20150404081642.0
008 131122s2014 nyua b 001 0 eng
010 $a 2013047108
020 $a9780199357161 (hardcover : alk. paper)
020 $a9780199357178 (pbk. : alk. paper)
040 $aDLC$beng$cDLC$erda$dDLC
042 $apcc
050 00 $aML3790$b.B842 2014
082 00 $a781.4909$223
100 1 $aBurgess, Richard James,$eauthor.
245 14 $aThe history of music production /$cby Richard James Burgess.
264 1 $aNew York :$bOxford University Press,$c[2014]
300 $axiv, 245 pages :$billustrations ;$c24 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aIncludes bibliographical references (pages 209-226) and index.
505 0 $aBeginning -- The acoustic period -- The electric period -- Economic and societal overlay -- The studio is interactive -- The post World War II reconstruction of the recording industry -- Mobile music -- Expanding the palette -- Some key producers -- The sixties and seventies -- Toward the digital age -- The nineties -- Periods of standards and stability -- Deconstructing the studio -- Random access recording technology -- Transformative/disruptive technologies and the value of music -- Post-millennial business models -- The unfinished work.
650 0 $aSound recording industry$xHistory.
650 0 $aSound recordings$xProduction and direction$xHistory.
650 0 $aSound$xRecording and reproducing$xHistory.
650 0 $aSound recordings$xHistory.
650 0 $aMusic and technology.