MARC Record from Library of Congress

LEADER: 01944cam a22003017a 4500
001 2012453030
003 DLC
005 20120818093210.0
008 120702s2009 enka b 000 0 eng
010 $a 2012453030
015 $aGBA908719$2bnb
016 7 $a014889747$2Uk
020 $a9781851495955 (hbk.)
020 $a1851495959 (hbk.)
035 $a(OCoLC)ocn300404256
040 $aUKM$cUKM$dYDXCP$dBTCTA$dBWKUK$dBWK$dCDX$dBWX$dOSU$dGEBAY$dA7U$dDLC
042 $alccopycat
050 00 $aNC242.G45$bW43 2009
082 04 $a763.092$222
100 1 $aWebb, Brian.
245 10 $aDesign :$bDavid Gentleman /$cBrian Webb & Peyton Skipwith.
246 30 $aDavid Gentleman
260 $aWoodbridge, UK :$bAntique Collectors' Club,$c2009.
300 $a95 p. :$bcol. ill. ;$c23 cm.
504 $aIncludes bibliographical references (p. 25).
520 $a"Another instalment of the highly acclaimed "Design" series, this time looking at contemporary designer David Gentleman (b.1930). David's early training engraving designs on small boxwood blocks ensured that his unique style retains the characteristic intensity of the miniaturist even when it is enlarged. He attended the Royal College of Art in Kensington from the autumn of 1950, and was tutored by some of the finest artists of the time, including Edward Bawden and John Nash. Lithography became his medium of choice and he has since worked on projects as diverse as designs for postage stamps and wine labels to the hundred-metre long panels at Charing Cross Station. The "Design" series is the winner of the Brand/Series Identity Category at the British Book Design and Production Awards 2009, judges said: 'A series of books about design, they had to be good and these are. The branding is consistent, there is a good use of typography and the covers are superb". -- Product Description.
600 10 $aGentleman, David$xCriticism and interpretation.
700 1 $aSkipwith, Peyton,$d1939-