Record ID | marc_loc_2016/BooksAll.2016.part40.utf8:98737555:1704 |
Source | Library of Congress |
Download Link | /show-records/marc_loc_2016/BooksAll.2016.part40.utf8:98737555:1704?format=raw |
LEADER: 01704cam a2200337 a 4500
001 2012476339
003 DLC
005 20120915084158.0
008 110112s2010 ne a 000 0 eng c
010 $a 2012476339
020 $a9789076936277
020 $a9076936277
035 $a(OCoLC)696727542
035 $a(OCoLC)ocn696727542
040 $aERASA$cERASA$dUTO$dDLC
041 1 $aeng$hdut
042 $apcc
043 $aa-cc-pe
050 00 $aNA6234.C62$bB456 2010
100 1 $aMik, Edzard.
245 10 $aKoolhaas in Beijing /$cEdzard Mik ; [translation, Jonathan Reeder ; photography, Jim Gourley].
260 $aAmsterdam :$bNetherlands Foundation for Visual Arts, Design and Architecture,$c2010.
300 $a112 p. :$bill. ;$c19 cm.
490 1 $aEssay ;$v005
520 $a"Architects, contrary to most artists, work by definition from the core of society. Rem Koolhaas is one of the few architects who demonstrates the ability to do so while maintaining a critical distance. Does his strategy contain a hint for artists on how to create significant art in a world where everything seems bound for insignificance? Writer Edzard Mik visited the CCTV building in Beijing, designed by Rem Koolhaas's OMA, and wrote a lyrical 'road essay' about Koolhaas, Beijing and on being an artist in the twenty-first century"--Jacket.
610 20 $aZhong yang dian shi tai (Beijing, China)$xBuildings.
650 0 $aOffice buildings$zChina$zBeijing$xHistory$y21st century.
600 10 $aKoolhaas, Rem$xCriticism and interpretation.
651 0 $aBeijing (China)$xBuildings, Structures, etc.
700 1 $aGourley, Jim.
830 0 $aEssay (Fonds voor beeldende kunsten, vormgeving en bouwkunst) ;$v005.