MARC Record from Library of Congress

LEADER: 05381cam a2200373 i 4500
001 2013497327
003 DLC
005 20150522084132.0
008 140828t20142014stkaf b 001 0 eng d
010 $a 2013497327
015 $aGBB3A9677$2bnb
016 7 $a016558081$2Uk
020 $a9780748675685 (hardcover)
020 $a074867568X (hardcover)
035 $a(OCoLC)ocn856981005
040 $aBTCTA$beng$cBTCTA$erda$dBDX$dYDXCP$dUKMGB$dCDX$dERASA$dGUA$dDEBBG$dFDA$dCOO$dNLGGC$dOCLCF$dDLC
042 $alccopycat
050 00 $aPR6003.E282$bZ6295 2014
082 00 $a828.91209$223
084 $aIH 15721$2rvk
245 04 $aThe Edinburgh companion to Samuel Beckett and the arts /$cedited by S.E. Gontarski.
264 1 $aEdinburgh :$bEdinburgh University Press,$c[2014]
264 4 $c©2014
300 $avii, 504 pages, 8 unnumbered pages of color plates :$billustrations ;$c26 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
520 $a"The 35 new and original chapters in this Companion capture the continued vitality of Beckett studies in drama, music and the visual arts and establish rich and varied cultural contexts for Beckett's work world-wide. As well as considering topics such as Beckett and science, historiography, geocriticism and philosophy, the volume focuses on the post-centenary impetus within Beckett studies, emphasising a return to primary sources amid letters, drafts, and other documents. Major Beckett critics such as Steven Connor, David Lloyd, Andrew Gibson, John Pilling, Jean-Michel Rabaté, and Mark Nixon, as well as emerging researchers, present the latest critical thinking in 9 key areas: Art & Aesthetics; Fictions; European Context; Irish Context; Film, Radio & Television; Language/Writing; Philosophies; Theatre & Performance; Global Beckett. Edited by eminent Beckett scholar S. E. Gontarski, the Companion draws on the most vital, ground-breaking research to outline the nature of Beckett studies for the next generation"--Publisher.
504 $aIncludes bibliographical references and index.
505 00 $gIntroduction :$ttowards a minoritarian criticism :$tthe questions we ask /$rS.E. Gontarski --$t'Deux Besoins' :$tSamuel Beckett and the aesthetic dilemma /$rC.J. Ackerley --$t'Siege laid again' :$tArikha's gaze, Beckett's painted stage /$rDavid Lloyd --$tConvulsive aesthetics :$tBeckett, Chaplin and Charcot /$rUlrike Maude --$tPain degree zero /$rSam Slote --$tSexual indifference in the Three novels /$rPaul Stewart --$tA neuropolitics of subjectivity in Samuel Beckett's Three novels /$rAndrew V. McFeaters --$tEvening, night and other shades of dark :$tBeckett's short prose /$rTomasz Wiśnieswki --$tFrench Beckett and French literary politics 1945-52 /$rAndrew Gibson --$tBeckett/Sade :$ttexts for nothing /$rJohn Pilling --$tBeckett's Masson :$tfrom abstraction to non-relation /$rJean-Michel Rabaté --$tBeckett, Duthuit and ongoing dialogue /$rAnthony Uhlmann --$tGloria SMH and Beckett's linguistic encryptions /$rLaura Salisbury --$t'I am writing a manifesto because I have nothing to say' (Soupault) :$tSamuel Beckett and the interwar avant-garde /$rPeter Fifield --$tBeckett and contemporary French literature /$rSief Houppermans --$tThe 'Irish' translation of Samuel Beckett's En attendant Godot /$rAnthony Roche --$tOdds, ends, beginnings :$tSamuel Beckett and theatre cultures in 1930s Dublin /$rEmilie Morin --$t'Bid us sigh on from day to day' :$tBeckett and the Irish big house /$rSeán Kennedy --$tA womb with a view :$tFilm as regression fantasy /$rGraley Herren --$t'The sound is enough' :$tBeckett's radio plays /$rEverett C. Frost --$t'Was that a point?'$tBeckett's punctuation /$rSteven Connor --$tBeckett's unpublished canon /$rMark Nixon --$tTextual scars :$tBeckett, genetic criticism and textual scholarship /$rDirk Van Hulle --$tBeckett's Ill seen ill said :$treading the subject, subject to reading /$rAdam Piette --$tBeckett and philosophy /$rMatthew Feldman --$t'Ruse a by' :$tWatt, the rupture of the everyday and transcendental empiricism /$rS.E. Gontarski --$tBeckett, modernism and Christianity /$rErik Tonning --$t'Oh lovely art' :$tBeckett and music /$rDavid Tucker --$tVictimised actors and despotic directors :$tclichés of theatre at stake in Beckett's Catastrophe /$rLaura Peja --$tStaging the modernist monologue as capable negativity :$tBeckett's 'A piece of monologue' between and beyond Eliot and Joyce /$rJohn Paul Riquelme --$tDesigning Beckett :$tJocelyn Herbert's contribution to Samuel Beckett's theatrical aesthetics /$rAnna McMullan --$tDianoetic laughter in tragedy :$taccepting finitude--Beckett's Endgame /$rAnnamaria Cascetta --$tPerforming the formless /$rGeneviève Chevallier --$t'Facing other windows' :$tBeckett in Brazil /$rFábio de Souza Andrade --$tBeckett in Belgrade /$rPredrag Todorovic --$t'Struggling with a dead language' :$tlanguage of others in All that fall and the Japanese avant-garde theatre in the 1960s /$rMariko Hori Tanaka.
600 10 $aBeckett, Samuel,$d1906-1989$xCriticism and interpretation.
650 0 $aArts, Modern$y20th century.
700 1 $aGontarski, S. E.,$eeditor.
856 $uhttp://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027157697&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA$zInhaltsverzeichnis