| Record ID | marc_loc_2016/BooksAll.2016.part41.utf8:125869692:3796 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part41.utf8:125869692:3796?format=raw |
LEADER: 03796cam a22005177i 4500
001 2013941700
003 DLC
005 20150210085032.0
008 130530s2013 enkac bc 001 0 eng d
010 $a 2013941700
015 $aGBB385454$2bnb
016 7 $a016499961$2Uk
020 $a9781857095616 (hbk.)
020 $a1857095618 (hbk.)
020 $a9781857095463 (pbk.)
020 $a1857095464 (pbk.)
035 $a(OCoLC)ocn861619450
040 $aNLE$beng$erda$cNLE$dOCLCO$dYDXCP$dMAV$dJPG$dELW$dOVV$dVP@$dOCLCA$dUKMGB$dYNK$dTEU$dSTF$dAU@$dERASA$dGK8$dNLGGC$dCUD$dDEBSZ$dOCLCF$dVRC$dDLC
042 $alccopycat
043 $ae-au---
050 00 $aND507$b.F33 2013
082 04 $a704.9420943613$223
245 00 $aFacing the modern :$bthe portrait in Vienna 1900 /$cGemma Blackshaw ; with an introduction by Edmund de Waal ; with contributions from Tag Gronberg, Julie M. Johnson, Doris H. Lehmann, Elana Shapira and Sabine Wieber.
264 1 $aLondon :$bNational Gallery Company,$c2013.
264 2 $a[New Haven, Connecticut] :$bYale University Press
300 $a215 pages :$billustrations (chiefly color), portraits ;$c30 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aCatalog for an exhibition held at the National Gallery, London, October 9, 2013-January 12, 2014.
504 $aIncludes bibliographical references (pages 204-207) and index.
505 0 $aOn stage: the new Viennese / Gemma Blackshaw -- Past times and present anxieties at the Galerie Miethke / Gemma Blackshaw -- Biedermeier modern: representing family values / Tag Gronberg -- Portraying Viennese beauty: Makart and Klimt / Doris H. Lehmann -- Klimt, Schiele, and Schönberg: self portraits / Gemma Blackshaw -- Women artists and portraiture in Vienna 1900 / Julie M. Johnson -- Imaging the Jew: a clash of civilisations / Elana Shapira -- A beautiful corpse: Vienna's fascination with death / Sabine Wieber.
520 $aDuring the great flourishing of modern art in fin-de-siècle Vienna, artists of that city focused on images of individuals. Their portraits depict artists, patrons, families, friends, intellectual allies, and society celebrities from the upwardly mobile middle classes. Viewed as a whole, the images allow us to reconstruct the subjects' shifting identities as the Austro-Hungarian Empire underwent dramatic political changes, from the 1867 Ausgleich (Compromise) to the end of the First World War. This is viewed as a time when the avant-garde overthrew the academy, yet Facing the Modern tells a more complex story, through thoughtprovoking texts by leading art historians. Their writings examine paintings by innovative artists such as Gustav Klimt, Oskar Kokoschka and Egon Schiele alongside those of their predecessors, blurring the conventionally-held distinctions between 19th-century and early 20th-century art. Exhibition: The National Gallery, London, UK (09.10.13.-12.01.14.).--$cSource other than Library of Congress.
650 0 $aPortrait painting, Austrian$zAustria$zVienna$y19th century$vExhibitions.
650 0 $aPortrait painting, Austrian$zAustria$zVienna$y20th century$vExhibitions.
650 7 $aPortrait painting, Austrian.$2fast$0(OCoLC)fst01072186
650 7 $aPortraits, Austrian.$2fast$0(OCoLC)fst01072346
651 7 $aAustria$zVienna.$2fast$0(OCoLC)fst01204516
648 7 $a1800 - 1999$2fast
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
650 17 $aPortretkunst.$2gtt
651 7 $aWenen (stad)$2gtt
700 1 $aBlackshaw, Gemma,$eauthor.
710 2 $aNational Gallery (Great Britain)
856 4 $3Inhaltsverzeichnis$uhttp://swbplus.bsz-bw.de/bsz393413640inh.htm$v20131216101721