| Record ID | marc_loc_2016/BooksAll.2016.part41.utf8:139810899:1262 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part41.utf8:139810899:1262?format=raw |
LEADER: 01262cam a2200289 i 4500
001 2014002721
003 DLC
005 20150812080545.0
008 140124s2014 vtu b 001 0 eng
010 $a 2014002721
020 $a9781472429445 (hardcover : alk. paper)
040 $aDLC$beng$cDLC$erda$dDLC
042 $apcc
050 00 $aND1158.S45$bS59 2014
082 00 $a750.1/8$223
100 1 $aSjåstad, Øystein.
245 12 $aA theory of the tache in nineteenth-century painting /$cØystein Sjåstad.
264 1 $aBurlington, VT :$bAshgate,$c2014.
300 $ax, 179 pages ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 0 $aStudies in art historiography
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction. To Overlook or to Over-look -- The Tache as a Sign Between Perception and Imagination -- A Theory of Sign Crossings -- The Tache Before Manet -- Manet's Tache. An Art of Inconsistency -- Cézanne's Field of Taches. Between Touch and Vision -- Seurat's Point and Signac's 'Not-Dot' -- Matisse's Farewell to the Tache -- Afterword. Eye and Hand.
650 0 $aPainting$xSemiotics.
650 0 $aPainting, Modern$y19th century.