| Record ID | marc_loc_2016/BooksAll.2016.part41.utf8:139827821:1558 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part41.utf8:139827821:1558?format=raw |
LEADER: 01558cam a2200325 i 4500
001 2014002733
003 DLC
005 20150221083153.0
008 140124s2014 vtua b 001 0 eng
010 $a 2014002733
020 $a9781472421869 (hardcover : alk. paper)
020 $z9781472421876 (ebook)
020 $z9781472421883 (epub)
040 $aDLC$beng$cDLC$erda
042 $apcc
043 $anwjm---
050 00 $aML3486.J3$bH57 2014
082 00 $a781.64097292$223
100 1 $aHitchins, Ray.
245 10 $aVibe merchants :$bthe sound creators of Jamaican popular music /$cby Ray Hitchins.
264 1 $aBurlington, VT :$bAshgate,$c2014.
300 $a240 pages :$billustrations ;$c24 cm.
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
490 0 $aAshgate popular and folk music series
504 $aIncludes bibliographical references (pages 229-236) and index.
505 0 $aJamaica's first recording studio -- The demand for new styles of recorded music -- Establishing an internationally competitive recording model -- Establishing a Jamaican sound -- The 1970s-1980s : a period of dramatic change -- Drum machines and synthesisers : the serial recording model -- The riddim production method : the audio engineer as music arranger -- Computer-based recording and the multi-role producer in the 1990s -- A Jamaican recording studio ethnography.
650 0 $aPopular music$xProduction and direction$zJamaica$xHistory.
650 0 $aSound recording executives and producers$zJamaica.