Record ID | marc_loc_2016/BooksAll.2016.part41.utf8:156885558:1401 |
Source | Library of Congress |
Download Link | /show-records/marc_loc_2016/BooksAll.2016.part41.utf8:156885558:1401?format=raw |
LEADER: 01401cam a2200313 i 4500
001 2014013119
003 DLC
005 20150707103230.0
008 140715s2015 paua b s001 0 eng c
010 $a 2014013119
020 $a9780271064147 (cloth : alk. paper)
040 $aPSt/DLC$beng$cPSt$erda$dDLC
042 $apcc
043 $ae-gx---
050 00 $aND567.5.N3$bG74 2015
082 00 $a759.309/034$223
100 1 $aGrewe, Cordula,$eauthor.
245 14 $aThe Nazarenes :$bromantic avant-garde and the art of the concept /$cCordula Grewe.
264 1 $aUniversity Park, Pennsylvania :$bThe Pennsylvania State University Press,$c[2015]
300 $axix, 380 pages, plates :$billustrations (mostly color) ;$c27 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
520 $a"Traces the Nazarene 'art of the concept' from its Romantic inception to its academic transformation in the 1830s. Arguing that the Nazarenes, despite their revivalist agenda, were a quintessentially modern movement, the book provides a revisionist understanding of modernity in nineteenth-century art"--Provided by publisher.
504 $aIncludes bibliographical references (pages 337-356) and index.
650 0 $aNazarenes (German painters)
650 0 $aRomanticism in art.
650 0 $aPainting, German$y19th century.
650 0 $aModernism (Art)$zGermany.