| Record ID | marc_loc_2016/BooksAll.2016.part41.utf8:167771355:3486 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part41.utf8:167771355:3486?format=raw |
LEADER: 03486cam a2200361 i 4500
001 2014019523
003 DLC
005 20150514084254.0
008 140606s2014 nyua b 001 0 eng
010 $a 2014019523
020 $a9781137023254 (hardback)
040 $aDLC$beng$cDLC$erda
042 $apcc
050 00 $aPN56.L27$bP73 2014
082 00 $a809/.9334$223
084 $aLAN009030$aLAN010000$2bisacsh
245 00 $aPragmatic literary stylistics /$cEdited by Siobhan Chapman, University of Liverpool, UK ; Billy Clark, Middlesex University, UK.
264 1 $aNew York :$bPalgrave Macmillan,$c2014.
300 $aix, 229 pages :$billustrations ;$c23 cm.
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
490 0 $aPalgrave Studies in Pragmatics, Language and Cognition Series
520 $a"Pragmatic Literary Stylistics considers the ways in which current theories of language in use and communicative processes are applied to the analysis, interpretation and definition of literary texts. The contributors draw on a wide range of contemporary pragmatic theories, including relevance theory, Gricean and neo-Gricean theory and politeness theory and utilise a variety of different types and genres of literary text in their analysis, including prose fiction, drama and poetry. An introductory chapter locates the book with respect to the history and current state of the field, and puts forward proposals for future direction. This book offers examples of some of the most important current types of interaction between pragmatics and literary stylistics which sets an agenda for the future of pragmatic literary stylistics and provides a foundation for future research and debate"--$cProvided by publisher.
504 $aIncludes bibliographical references (pages 210-226) and index.
505 8 $aMachine generated contents note: -- 1. Introduction; Siobhan Chapman and Billy Clark2. The Art of Repetition in Muriel Spark's Telling; Andrew Caink3. 'Oh, do let's talk about something else -': What is Not Said and What is Implicated in Elizabeth Bowen's The Last September; Siobhan Chapman4. Before and After Chekhov: Inferring Literary Interpretations and Literary Value; Billy Clark 5. Outsourcing: A Relevance-theoretic Account of the Interpretation of Theatrical Texts; Anne Furlong6. Relevance Theory, Syntax and Literary Narrative; Barbara MacMahon7. Negation, Expectation and Characterisation: Analysing the Role of Negation in Character Construction in To Kill a Mockingbird (Lee 1960) and Stark (Elton 1989); Lisa Nahajec8. Intertextuality and the Pragmatics of Literary Reading; Maria-Eirini Panagiotidou9. 'I've never enjoyed hating a book so much in my life'. The Co-construction of Reader Identity in the Reading Group ; David Peplow10. The Narrative Tease: Narratorial Omniscience, Implicature, and the Making of Sensation in Lady Audley's Secret; Ruth Schuldiner11. Literary Style as Facework: Dialogue and Deference in Turkish-German Literature; Chantelle Warner.
650 0 $aLinguistics in literature.
650 0 $aLanguage and languages in literature.
650 7 $aLANGUAGE ARTS & DISCIPLINES / Linguistics / Pragmatics.$2bisacsh
650 7 $aLANGUAGE ARTS & DISCIPLINES / Literacy.$2bisacsh
700 1 $aChapman, Siobhan,$d1968-$eeditor.
700 1 $aClark, Billy,$eeditor.
856 42 $3Cover image$uhttp://www.netread.com/jcusers2/bk1388/254/9781137023254/image/lgcover.9781137023254.jpg