| Record ID | marc_loc_2016/BooksAll.2016.part41.utf8:206850479:1375 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part41.utf8:206850479:1375?format=raw |
LEADER: 01375cam a2200289 i 4500
001 2014044209
003 DLC
005 20150729081906.0
008 141110s2015 enkag b 001 0deng
010 $a 2014044209
020 $a9781107076662 (hb : alk. paper)
020 $a1107076668 (hb : alk. paper)
040 $aDLC$beng$erda$cDLC$dDLC
042 $apcc
050 00 $aML410.H618$bB35 2015
082 00 $a782.25092$223
100 1 $aBain, Jennifer,$d1967-
245 10 $aHildegard of Bingen and musical reception :$bthe modern revival of a medieval composer /$cJennifer Bain.
264 1 $aCambridge, United Kingdom :$bCambridge University Press,$c2015.
300 $axiii, 235 pages :$billustrations, music ;$c26 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aIncludes bibliographical references (pages 205-226) and index.
505 0 $aIntroduction. O virga ac diadema : historiography of a song -- Forgotten? Hildegard's reception from 1179 to 1850 -- Hildegard's increased veneration and emergence as a composer -- The German revival of chant -- Hildegard and the Kulturkampf -- Hildegard, tourism, and the politics of chant -- Conclusion. New century, new abbey, new Hildegard.
600 00 $aHildegard,$cSaint,$d1098-1179$xAppreciation$xHistory.
650 0 $aGregorian chants$xHistory and criticism.