MARC Record from Library of Congress

LEADER: 07637cam a22006257i 4500
001 2014413829
003 DLC
005 20150529084746.0
008 140530t20132013gw a b 000 0deng d
010 $a 2014413829
020 $a9783956790393
020 $a3956790391
035 $a(OCoLC)ocn872266252
040 $aMYA$beng$cMYA$erda$dYDXCP$dIUL$dOHX$dJPG$dOCLCF$dVVPCS$dDLC
041 1 $aeng$arus$harm$hfre$hrum$hspa$htur
042 $alccopycat
043 $amm-----$aac-----$aed-----$acl-----
050 00 $aNX458$b.S924 2013
082 04 $a709.046$223
245 00 $aSweet Sixties :$bSpecters and Spirits of a parallel avant-garde /$cGeorg Schöllhammer, Ruben Arevshatyan.
246 30 $aSpecters and Spirits of a parallel avant-garde
264 1 $aBerlin :$bSternberg Press,$c[2013]
264 4 $c©2013.
300 $a527 pages :$billustrations (some color) ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aIncludes bibliographical references.
500 $a"This book is published as part of the Sweet Sixties project, 2010-2013" - colophon
520 $aSweet Sixties is a long-term trans-regional research initiative working between art, research, media, and educational contexts in Europe, the Middle East, western and central Asia, Latin America, and northern Africa. Involving a particular group of experimentally oriented arts and research groups as well as individual artists, researchers, and media, Sweet Sixties investigates hidden histories or underexposed cultural junctions and exchange channels in the revolutionary period of the 1960s. In the 1960s, the landscapes and cities of protectorates and former colonies from India to the Maghreb, from the Soviet Republics to the new states in the southern hemisphere were replete with the spirit and forms of modernity, forms that transmogrify and then dissolve into the thin air of the vernacular. The star maps that are used to survey these artificial worlds often serve to navigate the boundaries between private and public domains. The world full of eerie displacements, gestures of the uncanny, and the constellation of the real exists in a plethora of doubled forms. Question marks and meanderings are all part of this picture. Instruments of communication emerge and are locked away before they have a chance to become immaterial, disappear, and corrode in postmodernity. The air of the 1960s echoes a spirit of emancipation. And the newly arising art-scapes are interspersed with double agents: diasporas bring their academies; the streams between Soviet, North and South American, Western European, Non-Aligned, etc., are full of interlocutions, hidden pathways, and narratives of trade routes beyond the seemingly stable hegemonies of the blocs. The stories and spirits of a parallel avant-garde, whose silhouettes have yet to be found on the walls of the Western canon, are the theme of this publication. - from publisher.
505 00 $tThe Sweet Sixties : between the liberation of peoples and the liberty of individuals, or the difficult representation of the self /$rDaho Djerbal --$tClassical art and human resignation in Soviet Marxism /$rKeti Chukrov --$tSweet Sixties : archaeology of thought in Turkey /$rAli Akay --$tArt and the iron lung : when sovereignty becomes detrimental and art subtly strikes back /$rBassam El Baroni --$tDecentered travelers /$rAna Longoni --$tNortheasternized modernism : notes on an emancipatory modernist constellation in Brazil /$rCatrin Seefranz --$tSpeculative revisions of film history : a curator's notes /$rRasha Salti --$tRegisters of participation : two cultural experiments with the contemporary in 1960s India /$rNancy Adajania --$tNational modernism /$rVardan Azatyan --$tAmerican tutti-frutti /$rPorter McCray --$tEgypt builds : a re-evaluation of the history of modernism /$rMohamed Elsahahed --$tBlack sun of renewal /$rToni Maraini --$tAn operative conceptualism : factography and counter-information in the Argentinian cultural avant-garde of the 1960s /$rJaime Vindel --$tMissing Ahmed Bouanani /$rAli Essafi --$tThaw and the poetics of soil /$rViktor Misiano --$tThe walls of memory : interdisciplinarity and repression in the Soviet Ukrainian 1960s and beyond /$rOleksiy Radynski --$tOther voices, other rooms--attempt(s) at reconstruction : 50 years of the Balázs Béla Studio /$rLívia Páldi --$tMon arabesque /$rDerya Bengi --$tEl encierro : project for the experimental art series /$rGraciela Carnevale --$tA bloc of sensations in lieu of geography : Rome-Algiers-Salvador de Bahia (1959-75) /$rTarek Elhaik --$tSome architectural consequences of political ideas /$rYehuda E. Safran --$tThe militant chapter in cinema /$rMohanad Yaqubi --$tMelting pot, Versailles-ization, and Petersburg-ization : European utopias in the architecture of central Asia /$rBoris Chukhovich --$tJeune peinture : The Parisian Third Way of the 1960s /$rCatherine Dossin --$tNineteen sixty-eight : global or local /$rEmin Alper --$tBlank zones in collective memory, or the transformation of Yerevan's urban space in the 1960s /$rRuben Arevshatyan --$tNarratives of the 1960s /$rSohrab Mahdavi --$tThe sixties--sweet or bitter? /$rMatko Meštrović --$tVasarely go home /$rAndreas Fogarasi --$tDesperately searching for aesthetics : Armenian cinema of the 1960s and late modernity /$rVigen Galstyan --$tNew waves and new confusions : the case of Birds of exile (1964) /$rAhmet Gürata --$tBir Gecelik Gelin--One night bride /$rFatih Özgüven --$tEarly Algerian cinema as site of international solidarity /$rYasmina Dekkar --$tConstructing non-aligned modernity : Zoran Bojović, the architect /$rDubravka Sekulić --$tOriental waves in Romanian popular music from Wallachia and Moldavia /$rSperanţa Rădulescu --$tDe-Stalinization and mass music in the mid-1960s in Armenia /$rVardan Jaloyan --$t'Folk' behaving badly : newly composed folk music as popular culture /$rIva Nenić --$tThe Soviet sixties : forms of cultural resistance /$rHrach Bayadyan --$tSeason's greetings : an annotated postcard /$rRayyane Tabet --$tWhy is the experience of Yugoslavia important today? /$rOzren Pupovac --$tMuseum of manufactured response to absence /$rAla Younis.
650 0 $aArts, Modern$y20th century.
650 0 $aNineteen sixties.
650 0 $aCivilization, Modern$y1950-
650 0 $aArts, Middle Eastern$y20th century.
650 0 $aArts, Central Asian$y20th century.
650 0 $aArts, Armenian$y20th century.
650 0 $aArts, Turkish$y20th century.
650 0 $aArts, East European$y20th century.
650 0 $aArts, Latin American$y20th century.
650 0 $aAvant-garde (Aesthetics)$y20th century.
650 7 $aArts, Armenian.$2fast$0(OCoLC)fst00817904
650 7 $aArts, Central Asian.$2fast$0(OCoLC)fst01740384
650 7 $aArts, East European.$2fast$0(OCoLC)fst00817996
650 7 $aArts, Latin American.$2fast$0(OCoLC)fst00818112
650 7 $aArts, Middle Eastern.$2fast$0(OCoLC)fst00818136
650 7 $aArts, Modern.$2fast$0(OCoLC)fst00818137
650 7 $aArts, Turkish.$2fast$0(OCoLC)fst00818248
650 7 $aAvant-garde (Aesthetics)$2fast$0(OCoLC)fst00824280
650 7 $aCivilization, Modern.$2fast$0(OCoLC)fst00863073
650 7 $aNineteen sixties.$2fast$0(OCoLC)fst01037817
648 7 $aSince 1900$2fast
700 1 $aSchöllhammer, Georg,$eeditor of compilation.
700 1 $aArevshatyan, Ruben,$eeditor of compilation.
856 42 $uhttp://www.sternberg-press.com/?pageId=1491$zSternberg Press web page for book (includes table of contents)