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MARC Record from Library of Congress

Record ID marc_loc_2016/BooksAll.2016.part42.utf8:108179831:6074
Source Library of Congress
Download Link /show-records/marc_loc_2016/BooksAll.2016.part42.utf8:108179831:6074?format=raw

LEADER: 06074cam a22005657i 4500
001 2015301368
003 DLC
005 20150312085204.0
008 150311s2013 bccacfj b 001 0 eng
010 $a 2015301368
016 $a20139035605
016 7 $a016593180$2Uk
020 $a0774820497 (bound)
020 $a9780774820493 (bound)
020 $a0774820500
020 $a9780774820509
035 $a(OCoLC)ocn828140170
040 $aNLC$beng$cNLC$erda$dYDXCP$dBTCTA$dOCLCO$dBDX$dCDX$dNUI$dYAM$dOCLCF$dUKMGB$dIAD$dUBC$dUAB$dMT4IT$dTOZ$dVP@$dIXA$dOCLCO$dJYJ$dUOK$dDLC
042 $alccopycat
043 $an-cn-bc$an-us---
055 00 $aE78 N78$bN37 2013 fol.
082 04 $a704.03/9707111$223
050 00 $aE78.N78$bN37 2013
245 00 $aNative art of the Northwest Coast :$ba history of changing ideas /$cedited by Charlotte Townsend-Gault, Jennifer Kramer, and Ḳi-ḳe-in.
246 30 $aHistory of changing ideas
264 1 $aVancouver ;$aToronto :$bUBC Press,$c[2013]
300 $axxxvi, 1081 pages, 16 unnumbered pages of plates :$billustrations (some color), portraits, genealogical table ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $a"Most chapters consist of an introductory essay followed by excerpts from the literature"--Page xxxv.
504 $aIncludes bibliographical references (pages 995-1095) and index.
505 00 $gIntroduction :$tThe idea of northwest coast native art /$rCharlotte Townsend-Gault, Jennifer Kramer, and Ḳi-ḳe-in --$tInterpreting cultural symbols of the People from the Shore /$rDaisy Sewid-Smith --$tḤilth Hiitinkis : from the beach /$rḲi-ḳe-in--$tHaida cosmic /$rMichael Nicoll Yahgulanaas --$tFrom explorers to ethnographers, 1770-1870 /$rIra Jacknis --$tThresholds of meaning : voice, time, and epistemology in the archaeological consideration of Northwest Coast art /$rAndrew Martindale --$tObjects and knowledge : early accounts from ethnographers and their written records and collecting practices, ca. 1880-1930 /$rAndrea Laforet --$t"That which was most important" : Louis Shotridge on Crest art and clan history /$rJudith Berman --$tAnthropology of art : shifting paradigms and practices, 1870s-1950 /$rBruce Granville Miller --$tGoing by the book : missionary perspectives /$rJohn Barker --$tThe dark years /$rGloria Cranmer Webster --$tSurrealists and the New York avant-garde, 1920-60 /$rMarie Mauzé --$tNorthwest Coast art and Canadian national identity, 1900-50 /$rLeslie Dawn --$tArt/craft in the early twentieth century /$rScott Watson --$tWelfare politics, late salvage, and indigenous (in)visibility, 1930-60 /$rRonald W. Hawker --$tForm first, function follows : the use of formal analysis in Northwest Coast art history /$rKathryn Bunn-Marcuse --$tDemocratization and Northwest Coast art in the modern period : Native emissaries, non-native connoisseurship, and consumption /$rJudith Ostrowitz --$tHistory and critique of the "renaissance" discourse /$rAaron Glass --$tStarting from the beginning /$rMarianne Nicolson --$tShifting theory, shifting publics : the anthropology of Northwest Coast art in the postwar era /$rAlice Marie Campbell --$tValue added : the Northwest Coast art market since 1965 /$rKaren Duffek --$t"Where mere words failed" : Northwest Coast art and law /$rDouglas S. White --$tArt for whose sake? /$rḲi-ḳe-in --$t"Fighting with property" : the double-edged character of ownership /$rJennifer Kramer --$tMuseums and Northwest Coast art /$rAldona Jonaitis --$tCollaborations : a historical perspective /$rMartha Black --$tPushing boundaries, defying categories : Aboriginal media production on the Northwest Coast /$rKristin L. Dowell --$tArt claims in the age of Delgamuukw /$rCharlotte Townsend-Gault --$tStop listening to our ancestors /$rPaul Chaat Smith --$tNWC on the up- load : surfing for Northwest Coast art /$rDana Claxton --$tThe material and the immaterial across borders /$rCharlotte Townsend-Gault.
520 $aThis remarkable volume, many years in the making, records and scrutinizes definitions of Northwest Coast Native art and its boundaries. A work of critical historiography, it makes accessible for the first time in one place a broad selection of more than 250 years of writing on Northwest Coast "art." Organized thematically, its excerpted texts are from both published and unpublished sources, some not previously available in English. They cover such complex topics as the clash between oral and written knowledge, transcultural entanglement, the influence of surrealist thinking, and the long history of the deployment of Northwest Coast Native art for nationalist purposes. The selections are preceded by thought-provoking introductions that give historical context to the diverse intellectual traditions that have influenced, stimulated, and opposed each other - publisher's website.
530 $aIssued also in electronic format.
650 0 $aIndian art$zNorthwest Coast of North America$xHistory.
650 0 $aIndians of North America$zNorthwest Coast of North America$xHistory.
650 0 $aIndians of North America$zNorthwest Coast of North America$xSocial life and customs.
650 6 $aArt indien d'Amérique$zNord-Ouest, Côte (Amérique du Nord)$xHistoire.
650 6 $aIndiens d'Amérique$zNord-Ouest, Côte (Amérique du Nord)$xHistoire.
650 6 $aIndiens d'Amérique$zNord-Ouest, Côte (Amérique du Nord)$xMoeurs et coutumes.
650 7 $aIndian art.$2fast$0(OCoLC)fst00969029
650 7 $aIndians of North America.$2fast$0(OCoLC)fst00969633
650 7 $aIndians of North America$xSocial life and customs.$2fast$0(OCoLC)fst00969907
651 7 $aNorth America$zNorthwest Coast of North America.$2fast$0(OCoLC)fst01242545
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aTownsend-Gault, Charlotte,$eeditor.
700 1 $aKramer, Jennifer,$eeditor.
700 0 $aḲi-ḳe-in,$d1948-$eeditor.
776 1 $tNative art of the Northwest Coast.$w(CaOONL)20139035613