MARC Record from Library of Congress

LEADER: 04417cam a2200481 i 4500
001 2014563879
003 DLC
005 20150812081831.0
008 140716t20132013sz a b 001 0 eng d
010 $a 2014563879
015 $aGBB388379$2bnb
016 7 $a016504775$2Uk
020 $a9783643904133 (pbk.)
020 $a3643904134 (pbk.)
035 $a(OCoLC)859187470$z(OCoLC)862102738
040 $aUKMGB$beng$erda$cUKMGB$dOCLCO$dYDXCP$dAMH$dOHX$dBTCTA$dZCU$dIBS$dDLC
042 $alccopycat
043 $ae------
050 00 $aML3488$b.H57 2013
072 7 $aHM$2lcco
072 7 $aML$2lcco
082 00 $a782.421649094$223
082 04 $a306.1$223
245 00 $aHip-hop in Europe :$bcultural identities and transnational flows /$cedited by Sina A. Nitzsche and Walter Grünzweig.
264 1 $aZürich :$bLIT,$c[2013]
264 4 $c2013
300 $aiii, 470 pages :$billustrations ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aTransnational and transatlantic American studies ;$vvolume 13
504 $aIncludes bibliographical references and index.
520 $aThis is the first collection of essays to take a pan-European perspective in the study of hip-hop. How has it travelled to Europe? How has it developed in the various cultural contexts and how does it reference the American cultures of origin? The 21 authors and artists provide a comprehensive overview of hip-hop cultures in Europe from the fringes to the centers. They address hip-hop in a variety of contexts such as class, ethnicity, gender, history, pedagogy, performance, and (post)-communism.
505 00 $tHip-hop in Europe as a transnational phenomenon : an introduction /$rSina A. Nitzsche --$tHip-hop and Cyprus : language, motiviation, unity, and division /$rMike Hajimichael --$tMapping the hip-hop transnation : a brief history of hip-hop in Athens, Greece /$rAthena Elafros --$tForgetting how to swim : a history of Portuguese rap /$rSebastião Belfort Cerqueira --$tHip-hop in Russia : how the cultural form emerged in Russia and established a new philosophy /$rSergey Ivanov --$tBreakin' around the bloc : hip-hop in the German Democratic Republic /$rLeonard Schmieding --$tIn search of the "real" Czech hip-hop : the construction of authenticity in Czech rap music /$rAnna Oravcová --$tIn the global 'hood' : slang and hip-hop in present-day Romania /$rDaniela Doboş --$tThe language(s) of self-presentation in Hungarian rap lyrics /$rEszter Szabó Gilinger --$tMerseybeatz : hip-hop in Liverpool /$rBrett D. Lashua and Yaw Owusu --$tBeyond multiculturalism : the transculturating potential of hip-hop in Germany /$rTerence Kumpf --$t"Gheddos du Monde" : sounding the ghetto, occupying the nation from Berlin to Paris /$rJ. Griffith Rollefson --$tIdentity and triple liminality of a young hip-hop group in Tyrol, Austria : a case study /$rVerena Zelger --$tHip-hop domesticated : on the political messages of Polish rap and hip-hop lyrics /$rAndrzej Antoszek --$tHip-hop ain't dead--it just emigrated : rap music and nationalism in Bosnia and Herzegovina /$rRok Kovač --$tGraffiti goes to Italy : weaving transnational threads of all sizes and colors /$rElisa Bordin --$t"Untergrund, kein Modetrend--1995 Dortmund represent" : too strong and the interrelationship between global and local, graffiti and rap music in German hip-hop /$rIna Lammers --$tPerforming "the other" : rap as social change in the Danish Integration Project C:NTACT /$rHelle Bach Riis --$tSwedish hip-hop : marginalized youth and Folkbildning /$rJohan Söderman and Ove Sernhede --$t"A hip hop Haggadah" : the transnational and transcultural space of Jewish hip-hop and transnational cultural studies in the EFL classroom /$rPhilipp Siepmann --$tImmigrant hip-hop in Germany : the cultural identities of migrants /$rOliver Kautny --$tThe notion of authenticity in international hip-hop culture /$rMatthäus Ochmann.
650 0 $aRap (Music)$xSocial aspects$zEurope.
650 0 $aHip-hop$zEurope.
650 0 $aHip-hop$xInfluence.
650 0 $aHip-hop$xSocial aspects.
650 0 $aMusic and transnationalism$zEurope.
650 0 $aMusic and globalization$zEurope.
700 1 $aNitzsche, Sina A.,$eeditor.
700 1 $aGrünzweig, Walter,$eeditor.
830 0 $aTransnational and transatlantic American studies ;$vv. 13.