| Record ID | marc_loc_2016/BooksAll.2016.part42.utf8:200721785:1499 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part42.utf8:200721785:1499?format=raw |
LEADER: 01499cam a22003617i 4500
001 2015462980
003 DLC
005 20151218085159.0
008 150527t20152015enk 001 0 eng d
010 $a 2015462980
015 $aGBB590979$2bnb
020 $a9781783350308 (hbk.)
020 $a178335030X (hbk.)
035 $a(OCoLC)ocn920834541
040 $aNLE$beng$cNLE$erda$dOCLCO$dYDXCP$dUAB$dAU@$dOCLCF$dDLC
042 $alccopycat
082 04 $a792$223
050 00 $aPN2020$b.B55 2015
100 1 $aBillington, Michael,$d1939-$eauthor.
245 14 $aThe 101 greatest plays :$bfrom antiquity to the present /$cMichael Billington.
246 3 $aOne hundred and one greatest plays
246 3 $aHundred and one greatest plays
264 1 $aLondon :$bGuardian Books/Faber & Faber,$c2015.
264 4 $c©2015
300 $a464 pages ;$c24 cm
336 $atext$2rdacontent
336 $astill image$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
500 $aIncludes index.
520 $aWhat makes a great play? Does the definition change with time and circumstance? Are certain common factors visible down the ages? In revising the canon The 101 Greatest Plays is bound to stimulate passionate argument, but first and foremost it is a celebration of the art of the dramatist. It is the product of a lifetime spent watching and reading, a record of the adventures of a soul amongst masterpieces.
650 0 $aTheater.
650 0 $aTheater$vReviews.