MARC Record from Library of Congress

LEADER: 03549cam a2200481 i 4500
001 2015563605
003 DLC
005 20151015084855.0
008 150731t20152015lau b 001 0 eng d
010 $a 2015563605
020 $a9780807159446$q(cloth: alk. paper)
020 $a0807159441$q(cloth: alk. paper)
020 $z9780807159453$q(pdf)
020 $z9780807159460$q(epub)
020 $z9780807159477$q(mobi)
035 $a(OCoLC)ocn894313622
035 $a(OCoLC)894313622
040 $aBTCTA$beng$erda$cBTCTA$dBDX$dIBZ$dGZM$dZCU$dIAD$dCUT$dYDXCP$dLEB$dOCLCF$dOCLCO$dDLC
042 $alccopycat
043 $an-usu--$an-us-ny
050 00 $aML3477$b.J67 2015
082 4 $a781.6409$bJ77
100 1 $aJones, John Bush,$eauthor.
245 10 $aReinventing Dixie :$bTin Pan Alley's songs and the creation of the mythic South /$cJohn Bush Jones.
264 1 $aBaton Rouge :$bLouisiana State University Press,$c[2015]
264 4 $c©2015
300 $axxi, 270 pages ;$c24 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aIncludes index of song titles.
504 $aIncludes bibliographical references (pages 245-247) and indexes.
505 0 $aPreface -- Acknowledgments -- Prologue : why Dixie? -- The alley and its denizens -- Weepy time down south : early sentiment and sentimentality -- Typecasting : Southern social and ethnic, that is -- "Y'all come" : Southern hospitality, conviviality, and leisure-time fun -- Dixie is for lovers -- Undercutting the idyllic : realism, satire, and parody -- "All aboard for Dixie land" : homesickness, traveling home, and "mammy songs" -- Glorifying Dixie : southern myths and Southern pride -- Moonlight and magnolias : the alley and the myth -- Epilogue : the years they drove old Dixie down.
520 $a"Tin Pan Alley, once New York City's songwriting and recording mecca, issued more than a thousand songs about the American South in the first half of the twentieth century. In Reinventing Dixie, John Bush Jones explores the broad impact of these songs in creating and disseminating the imaginary view of the South as a land of southern belles, gallant gentlemen, and racial harmony. In profiles of Tin Pan Alley's lyricists and composers, Jones explains how a group of undereducated and untraveled writers--the vast majority of whom were urban northerners or European immigrants--constructed the specific and detailed images of the South used in their song lyrics. In the process of evaluating the origins of Tin Pan Alley's songbook, Jones analyzes these songwriters' attitudes about North-South reconciliation, ideals of honor and hospitality, and the recurring theme of the yearning for home. Though a few of the songs employed parody or satire to undercut the vision of a peaceful, romantic South, the majority ignored the realities of racism and poverty in the region."--Provided by publisher.
650 0 $aPopular music$zSouthern States$xHistory and criticism$y20th century.
650 0 $aPopular music$zNew York (State)$zNew York$xHistory and criticism$y20th century.
651 0 $aSouthern States$xSongs and music$y20th century$xHistory and criticism.
650 7 $aPopular music.$2fast$0(OCoLC)fst01071422
650 7 $aSongs.$2fast$0(OCoLC)fst01126120
651 7 $aNew York (State)$zNew York.$2fast$0(OCoLC)fst01204333
651 7 $aSouthern States.$2fast$0(OCoLC)fst01244550
648 7 $a1900 - 1999$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635