MARC Record from Library of Congress

LEADER: 01784cam a22003137i 4500
001 2014935645
003 DLC
005 20140719085231.0
008 140313s2014 nyu 000 0 eng d
010 $a 2014935645
020 $a0988464330
020 $a9780988464339
035 $a(OCoLC)ocn862781965
040 $aYDXCP$beng$cYDXCP$erda$dBTCTA$dBRZ$dGZN$dZCU$dOCLCQ$dDLC
042 $alccopycat
082 04 $a709$223
050 00 $aND497.W715$bA35 2014
100 1 $aWinkfield, Trevor.
240 10 $aEssays.$kSelections
245 10 $aGeorges Braque and others :$bthe selected art writings of Trevor Winkfield (1990-2009).
250 $aFirst edition.
264 1 $a[Brooklyn, New York] :$bThe Song Cave,$c[2014]
264 4 $c©2014
300 $axi, 204 pages ;$c19 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $a"Trevor Winkfield has been a sought-after contributor to publications such as Arts Magazine, Art in America and Modern Painters for two decades. Editors have long trusted his unique sensibilities and relied on his capacity to usher in fresh understandings of art. Take, for instance, Winkfield's pure excitement and audacity at weaving the work of the proto-Surrealist author Raymond Roussel into an essay on Leonardo da Vinci's 'Last Supper.' Unapologetically the writings of an artist, not a critic, in Georges Braque & Others, Winkfield engages some of the greatest names in art (Vermeer, Chardin, Signac, Ryder, Dadd, Brancusi, Cornell, Duchamp, Johns and of course Braque, among others)--asking questions, seeing the details and sharing the obscure facts that only an artist like Winkfield could notice and convey with such great charm."--Artbook D.A.P. website.
650 0 $aArt.