| Record ID | marc_loc_2016/BooksAll.2016.part42.utf8:45908369:1330 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part42.utf8:45908369:1330?format=raw |
LEADER: 01330cam a22003018i 4500
001 2015007534
003 DLC
005 20151203084755.0
008 150402s2015 nyu 000 0 eng
010 $a 2015007534
020 $a9781783084036 (hard back : alk. paper)
020 $a9781783084043 (paper back : alk. paper)
020 $z9781783084050 (pdf ebook)
020 $z9781783084487 (epub ebook)
040 $aDLC$beng$cDLC$erda
042 $apcc
050 00 $aPR9619.3.T786$bZ75 2015
082 00 $a823/.914$223
100 1 $aMcCann, Andrew$q(Andrew Lachlan),$eauthor.
245 10 $aChristos Tsiolkas and the fiction of critique :$bpolitics, obscenity, celebrity /$cAndrew McCann.
263 $a1508
264 1 $aNew York :$bAnthem Press,$c2015.
300 $apages cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
505 0 $aIntroduction: Pasolini's ashes -- The down-curve of capital: Loaded -- Inside the machine: from Loaded to The Jesus man -- The pornographic logic of global capitalism: Dead Europe -- In the suburbs of world literature: from Dead Europe to The Slap -- The politics of the bestseller: The Slap and Barracuda -- Conclusion: Aesthetic autonomy and the politics of fiction.
600 10 $aTsiolkas, Christos,$d1965-$xCriticism and interpretation.