| Record ID | marc_loc_2016/BooksAll.2016.part42.utf8:47602493:1398 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_2016/BooksAll.2016.part42.utf8:47602493:1398?format=raw |
LEADER: 01398cam a22003378i 4500
001 2015008719
003 DLC
005 20150313085302.0
008 150303s2015 mnu b s001 0 eng c
010 $a 2015008719
020 $a9780816694440 (hc : alk. paper)
020 $a9780816694488 (pb : alk. paper)
040 $aIEN/DLC$beng$erda$cIEN
042 $apcc
043 $af-ao---
050 00 $aND2867.6.A52$bL863 2015
082 00 $a751.7/309673$223
100 1 $aCollier, Delinda,$d1973-$eauthor.
245 10 $aRepainting the walls of Lunda :$binformation colonialism and Angolan art /$cDelinda Collier.
263 $a1510
264 1 $aMinneapolis :$bUniversity of Minnesota Press,$c2015.
300 $apages cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 00 $tDiamang as apparatus : the production of painted walls of Lunda in 1953 --$tThe myth of analog Africa : the transition to information colonialism --$tRebouco : post-independence art and Angolan socialism --$t"Rescue and visibility" : the digitization of painted walls of Lunda and postwar Angolan art.
650 0 $aMural painting and decoration$zAngola$zLunda Norte.
650 0 $aArt, Angolan$y20th century.
650 0 $aArt, Chokwe$xInfluence.
600 10 $aRedinha, José$xInfluence.