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MARC Record from Library of Congress

Record ID marc_loc_2016/BooksAll.2016.part42.utf8:61766150:2744
Source Library of Congress
Download Link /show-records/marc_loc_2016/BooksAll.2016.part42.utf8:61766150:2744?format=raw

LEADER: 02744cam a2200349 i 4500
001 2015018614
003 DLC
005 20150801083720.0
008 150508s2015 ncu b 001 0 eng
010 $a 2015018614
020 $a9780786475421 (softcover : alk. paper)
020 $a0786475420$qpaperback$qalkaline paper
020 $z9781476620510 (ebook)
040 $aDLC$beng$erda$cDLC$dDLC
042 $apcc
043 $an-us---
050 00 $aML2075$b.B35 2015
082 00 $a781.5/42097309046$223
100 1 $aBartkowiak, Mathew J.,$eauthor.
245 14 $aThe music of counterculture cinema :$ba critical study of 1960s and 1970s soundtracks /$cMathew J. Bartkowiak and Yuya Kiuchi.
264 1 $aJefferson, North Carolina :$bMcFarland & Company, Inc.,$c2015.
300 $aviii, 207 pages ;$c23 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aFraming Utopia : Monterey pop and the heart of the counterculture -- Creating the downfall : Gimme shelter and the "end" of the counterculture -- Searching fort the real times, baby : Head and the unmaking of the Monkees -- Love in counterculture films : music's diplomatic role in Harold and Maude -- Space is the place : Barbarella and hearing the future -- Did the soundtrack also blow it? : using rock to capture counterculture generational identity -- Setting the escapist scene with music : sex and comedy in an exotic world -- Generational genocide : selling youth rebellion in Roger Corman's Gas-s-s -- African American artists in Hollywood : Isaac Hayes' contribution to Shaft -- I'm watching it for its music : Deep throat and its soundtrack -- Challenging normativity and pushing boundaries : Midnight cowboy and cultural resistance -- Ambiguous meaning of music : combining technology and music in the dystopian world of A clockwork orange -- Understanding country ways : a talk with Country Joe McDonald about counterculture film -- Bringing the 1960s to life : an interview with director Robert Greenwald.
520 $a"Films produced in late 1960s and early 1970s America continue to frame our understanding of the counterculture era. A study of contemporary film soundtracks reveals a great deal of complexity. The coinciding struggles to define collective and individual identities based on race, class, gender and generation is well documented in the music of counterculture cinema"--$cProvided by publisher.
650 0 $aMotion picture music$zUnited States$xHistory and criticism
650 0 $aCounterculture$zUnited States$xHistory$y20th century.
651 0 $aUnited States$xHistory$y20th century.
700 1 $aKiuchi, Yuya,$eauthor.