MARC Record from Library of Congress

LEADER: 03392cam a22003498i 4500
001 2015019255
003 DLC
005 20150710085417.0
008 150629s2015 enk b 000 0 eng
010 $a 2015019255
020 $a9781137552020 (hardback)
040 $aDLC$beng$erda$cDLC
042 $apcc
050 00 $aPN1995.9.F34$bM88 2015
082 00 $a809.3/924$223
084 $aLIT006000$aSOC052000$2bisacsh
100 1 $aMurphy, Terence Patrick,$d1964-
245 10 $aFrom fairy tale to film screenplay :$bworking with plot genotypes /$cTerence Patrick Murphy.
263 $a1509
264 1 $aHoundmills, Basingstoke, Hampshire ;$aNew York :$bPalgrave Macmillan,$c2015.
300 $apages cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
520 $a"From the time of the Classical era of Greece and Rome, literary theorists have been concerned with the subject of how the plots of stories are organized. In The Poetics, Aristotle put forward the crucial idea that a plot must possess sufficient amplitude to allow a probable or necessary succession of particular actions to produce a significant change in the fortune of the main character. In the early twentieth century, the Russian scholar Vladimir Propp put forward the radical idea that each of the plots in his corpus of a hundred Russian fairy tales consisted of a sequence of 31 functions executed in an identical order. In this way, Propp had provided a workable solution to the mystery of how that 'significant change in the fortune of the main character' might be brought about. In effect, what Propp had done was to discover the first plot genotype, the functional structure or compositional schema of a particular short fiction, the Marriage fairy tale. But Propp was mistaken in his belief that all plots were the same. Although the exact number of plot genotypes is still unclear, this number is not excessively great. Plot genotypes fall into set categories, which means that the analysis of a few important fairy tales will shed light on the way in which most fairy tales--and by extension most short stories and dramatic texts and Hollywood screenplays--are also organized. This study explores the plots of ten fairy tales to lay the foundations for a complete description of the plot genotype"--$cProvided by publisher.
504 $aIncludes bibliographical references.
505 0 $aMachine generated contents note: 1. From the Hollywood Paradigm to the Proppian Plot Genotype -- 2. Vladimir Propp's Functional Analysis of the Fairy Tale -- 3. A Functional Analysis of Charles Perrault's Cinderella -- 4. Formulating the Concept of the Plot Genotype -- 5. The Robber Bridegroom Genotype -- 6. The Robber Bridegroom Genotype in Wrong Turn (2003) -- 7. The Frog Prince Genotype -- 8. The Frog Prince Genotype in Pretty Woman (1990) -- 9. The Puss-in-Boots Genotype -- 10. The Puss-in-Boots Genotype in The Mask (1994) -- 11. The Little Red Riding Hood Genotype -- 12. The Little Red Riding Hood Genotype in Psycho (1960) -- 13. Conclusion -- 14. Appendix: Plot Genotype Theory and the Hero's Journey.
650 0 $aFairy tales in motion pictures.
650 0 $aFairy tales$xfilm adaptations.
650 0 $aPlots (Drama, novel, etc.)
650 7 $aLITERARY CRITICISM / Semiotics & Theory.$2bisacsh
650 7 $aSOCIAL SCIENCE / Media Studies.$2bisacsh