MARC Record from Library of Congress

LEADER: 01778nam a22003018i 4500
001 2015031256
003 DLC
005 20150811084904.0
008 150810s2015 azu 000 0 eng
010 $a 2015031256
020 $a9781888553918 (paperback)
040 $aDLC$beng$erda$cDLC
042 $apcc
050 00 $aPS3563.O87449$bA6 2015
082 00 $a811/.54$223
084 $aART038000$aART009000$2bisacsh
100 1 $aMorris, Tracie.
240 10 $aPoems.$kSelections
245 10 $aHandholding :$b5 kinds /$cTracie Morris.
263 $a1511
264 1 $aTucson :$bKore Press,$c[2015]
300 $apages cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
520 $a"Handholding: 5 kinds is a collection of experimental poetry and critical writing. It is a creative response to 5 artistic works by innovative American, African diaspora and European-based artists' work: Kurt Schwitters' Ursonate (recited by his son, Ernst), Gertrude Stein's Tender Buttons, John Akomfrah's 7 Songs for Malcolm X, John Cage's 4'33 and Stanley Kubrick's Eyes Wide Shut. The contents address undertones and overtones of race, sexuality, class, gender, ethnicity, power and art-making. The collection contains experimental text as well as digital download codes to five audio pieces. One is a "real time" response to the Kubrick film, the other is a collection of sound pieces inspired by the other artists, often recitations of the page-based texts. This is the first text and sound collection of Tracie Morris' that is comprised of exclusively experimental work inspired by other innovative artists"--$cProvided by publisher.
650 7 $aART / American / African American.$2bisacsh
650 7 $aART / Criticism & Theory.$2bisacsh