MARC Record from Library of Congress

LEADER: 01726cam a22003258i 4500
001 2015035945
003 DLC
005 20150918085315.0
008 150914t20162016ilu b 001 0 eng c
010 $a 2015035945
020 $a9781138792722 (hardback : alkaline paper)
020 $a9781138792739 (paperback : alkaline paper)
020 $z9781315684796 (ebook)
040 $aICU/DLC$beng$erda$cICU
042 $apcc
050 00 $aML1380$b.H64 2016
082 00 $a786.7$223
100 1 $aHolmes, Thom,$eauthor.
245 10 $aElectronic and experimental music :$btechnology, music, and culture /$cThom Holmes.
250 $aFifth edition.
263 $a1511
264 1 $aNew York, NY ;$aAbingdon, Oxon :$bRoutledge,$c2016.
300 $apages cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aElectronic music before 1945 -- Early electronic music in Europe -- Early electronic music in the United States and Latin America -- Early electronic music in Asia and Oceania -- Tape composition and fundamental concepts of electronic music -- Early synthesizers and experimenters -- Principles of analog synthesis and voltage control -- The voltage-controlled synthesizer -- Early computer music (1953-85) -- The microprocessor revolution (1975 to the present) -- The principles of computer music -- Contemporary classical and experimental music -- Jazz, live electronic music, and ambient music -- Rock, space age pop, and turntablism -- Contemporary practices in composing electronic music.
650 0 $aElectronic music$xHistory and criticism.
650 0 $aComputer music$xHistory and criticism.