| Record ID | marc_loc_updates/v35.i22.records.utf8:10903116:1322 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_updates/v35.i22.records.utf8:10903116:1322?format=raw |
LEADER: 01322nam a22002898a 4500
001 2007021235
003 DLC
005 20070522150219.0
008 070522s2007 ncu b 001 0 eng
010 $a 2007021235
020 $a9780822340591 (cloth : alk. paper)
020 $a9780822340805 (pbk. : alk. paper)
040 $aDLC$cDLC
043 $an-us---
050 00 $aML3524$b.P43 2007
082 00 $a781.642/09$222
100 1 $aPecknold, Diane.
245 14 $aThe selling sound :$bthe rise of the country music industry /$cDiane Pecknold.
260 $aDurham :$bDuke University Press,$cc2007.
263 $a0712
300 $ap. cm.
490 0 $aRefiguring American music
504 $aIncludes bibliographical references (p. ) and index.
505 0 $aCommercialism and the cultural value of country music, 1920/1947 -- Country music becomes mass culture, 1940/1958 -- Country audiences and the politics of mass culture, 1947/1960 -- Masses to classes : the Country Music Association and the development of country format radio, 1958/1972 -- Commercialism and tradition, 1958/1970 -- Silent majorities : the country audience as commodity, constituency, and metaphor, 1961/1975.
650 0 $aCountry music$xHistory and criticism.
650 0 $aMusic trade$zUnited States.
650 0 $aCountry music$xSocial aspects.