| Record ID | marc_loc_updates/v36.i21.records.utf8:7157129:1384 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_updates/v36.i21.records.utf8:7157129:1384?format=raw |
LEADER: 01384nam a22002658a 4500
001 2008022400
003 DLC
005 20080524113133.0
008 080522s2008 enk b 001 0 eng
010 $a 2008022400
020 $a9781905763115 (pbk. : alk. paper)
040 $aDLC$cDLC
043 $aa-ja---
050 00 $aPN1661$b.C87 2008
082 00 $a792.0952$222
100 1 $aCurran, Beverley.
245 10 $aTheatre translation theory and performance in contemporary Japan :$bnative voices, foreign bodies /$cBeverley Curran.
260 $aManchester, UK ;$aKinderhook, NY :$bSt. Jerome Pub.,$c2008.
263 $a0812
300 $ap. cm.
504 $aIncludes bibliographical references and index.
505 0 $aHow do you say Mister Charlie" in Japanese? Black speech and the blues in Japanese translation and performance -- Speaking lily-white : Michel Marc Bouchard's Les feluettes as JQ translation -- Is the "rez" in the Rez Sisters the same "rez" in rezubian? Trickster translation and First Nations theatre in Japanese -- The limits of aboriginal theatre translation : Roger Bennett's Up the ladder as translation theatre -- Nô as translation theatre : Daphne Marlatt's The gull : the Steveston Noh Project.
650 0 $aDrama$xTranslating$zJapan.
650 0 $aDrama$y20th century$xTranslations into Japanese$xHistory and criticism.
650 0 $aTheater$zJapan$xHistory.