| Record ID | marc_loc_updates/v36.i31.records.utf8:14221246:1549 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_updates/v36.i31.records.utf8:14221246:1549?format=raw |
LEADER: 01549nam a22003018a 4500
001 2008032105
003 DLC
005 20080731174121.0
008 080721s2009 miu b 001 0 eng
010 $a 2008032105
020 $a9780472116058 (cloth : alk. paper)
020 $a0472116053 (cloth : alk. paper)
040 $aDLC$cDLC
043 $an-us-ny$an-us---
050 00 $aML3518$b.H68 2009
082 00 $a781.65/3$222
100 1 $aHowland, John Louis.
245 10 $a"Ellington uptown" :$bDuke Ellington, James P. Johnson, and the birth of concert jazz /$cJohn Howland.
260 $aAnn Arbor :$bUniversity of Michigan Press,$c2009.
263 $a0904
300 $ap. cm.
490 0 $aJazz perspectives
504 $aIncludes bibliographical references and index.
505 0 $aFrom Clorindy to Carnegie Hall : the Harlem entertainment community -- Jazz rhapsodies in black and white : James P. Johnson's Yamekraw -- "The blues get glorified" : Harlem entertainment, Negro nuances, and black symphonic jazz -- Ellingtonian extended composition and the symphonic jazz model -- "Harlem love song" : the symphonic aspirations of James P. Johnson, 1930-1945 -- "Carnegie blues" and the symphonic Ellington -- Conclusion : the legacy of Harlem's concert jazz.
600 10 $aEllington, Duke,$d1899-1974$xCriticism and interpretation.
600 10 $aJohnson, James P.$q(James Price),$d1894-1955$xCriticism and interpretation.
650 0 $aBig band music$zNew York (State)$zNew York$xHistory and criticism.
650 0 $aJazz$xHistory and criticism.