| Record ID | marc_loc_updates/v36.i47.records.utf8:8729379:1217 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_updates/v36.i47.records.utf8:8729379:1217?format=raw |
LEADER: 01217nam a22002778a 4500
001 2008050203
003 DLC
005 20081124161822.0
008 081124s2009 nyu b 001 0 eng
010 $a 2008050203
020 $a9783039113606 (alk. paper)
040 $aDLC$cDLC
043 $ae-uk---$ae-fr---
050 00 $aPN1993.5.G7$bW56 2009
082 00 $a791.430941$222
100 1 $aWimmer, Leila,$d1966-
245 10 $aCross-channel perspectives :$bthe French reception of British cinema /$cLeila Wimmer.
260 $aNew York :$bPeter Lang,$c2009.
263 $a0902
300 $ap. cm.
490 0 $aNew studies in European cinema ;$v8
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction -- Realism and 'impure' cinema: the positive reception of British cinema after World War ii -- François Truffaut and the New Wave: the vilification of British cinema -- The creation of an alternative canon: positif midi-minuit fantastique, British horror and the fantastic -- The 'return of the social': Ken Loach in the pantheon.
650 0 $aMotion pictures, British$zFrance.
650 0 $aMotion pictures$zGreat Britain$xHistory$y20th century.
650 0 $aFilm criticism$zFrance.