| Record ID | marc_loc_updates/v37.i02.records.utf8:6215738:1395 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_updates/v37.i02.records.utf8:6215738:1395?format=raw |
LEADER: 01395cam a22002654a 4500
001 2007024845
003 DLC
005 20090109142547.0
008 070614s2008 nyua b 001 0 eng
010 $a 2007024845
020 $a9780195326635 (alk. paper)
020 $a9780195326642 (alk. paper)
040 $aDLC$cDLC$dDLC
050 00 $aML2075$b.D59 2008
082 00 $a781.5/42$222
100 1 $aDickinson, Kay,$d1972-
245 10 $aOff key :$bwhen film and music won't work together /$cKay Dickinson.
260 $aNew York :$bOxford University Press,$c2008.
300 $axiii, 247 p. :$bill. ;$c25 cm.
504 $aIncludes bibliographical references (p. 227-242) and index.
505 0 $aThe status and the potential of film-music that doesn't work -- The motion picture you're about to see is a story of music: the migration of cinema into rock 'n' roll -- It's not only trivial, it's bad, vulgar: Ken Russell's composer biopics and the uneasy realignment of work and culture -- Troubling synthesis: the horrific sights and incompatible sounds of video nasties -- Pop stars who can't act and the limits of celebrity flexibility -- The problems of conclusion.
650 0 $aMotion pictures and music.
650 0 $aMotion picture music$xHistory and criticism.
650 0 $aCulture in motion pictures.
856 41 $3Table of contents only$uhttp://www.loc.gov/catdir/toc/ecip0720/2007024845.html