MARC Record from Library of Congress

LEADER: 01991cam a2200277 a 4500
001 2006037220
003 DLC
005 20090406134519.0
008 061106s2008 enkag b 001 0 eng
010 $a 2006037220
020 $a9780195324891
020 $a0195324897
035 $a(OCoLC)76064728
050 00 $aML3916$b.P37 2008
082 00 $a780.9$222
035 $a(OCoLC)ocm76064728
040 $aDLC$cDLC$dBTCTA$dBAKER$dC#P$dYDXCP$dDLC
100 1 $aPasler, Jann.
245 10 $aWriting through music :$bessays on music, culture, and politics /$cJann Pasler ; with a foreword by George Lewis.
260 $aOxford ;$aNew York :$bOxford University Press,$c2008.
300 $axiv, 513 p. :$bill., music ;$c25 cm.
504 $aIncludes bibliographical references and index.
505 0 $aTime, narrative, and memory. Narrative and narrativity in music ; Postmodernism, narrativity, and the art of memory ; Resituating the spectral revolution : French antecedents -- Self-fashioning. Deconstructing d'Indy, or the problem of a composer's reputation ; New music as confrontation : the musical sources of Cocteau's identity ; Inventing a tradition : John Cage's "Composition in retrospect" -- Identity and nation. Pelléas and power : forces behind the reception of Debussy's opera ; The ironies of gender, or virility and politics in the music of Augusta Holmès ; Race, orientalism, and distinction in the wake of the "Yellow peril" -- Patrons and patronage. Countess Greffulhe as entrepreneur : negotiating class, gender, and nation ; The political economy of composition in the American university, 1965-1985 -- The everyday life of the past. Concert programs and their narratives as emblems of ideology ; Material culture and postmodern positivism : rethinking the "popular" in late nineteenth-century French music.
650 0 $aMusic$xSocial aspects.
650 0 $aMusic$xHistory and criticism.
856 41 $3Table of contents only$uhttp://www.loc.gov/catdir/toc/ecip074/2006037220.html