| Record ID | marc_loc_updates/v37.i26.records.utf8:49308602:1415 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_updates/v37.i26.records.utf8:49308602:1415?format=raw |
LEADER: 01415cam a2200313 a 4500
001 2008035900
003 DLC
005 20090623121013.0
008 080813s2009 cauaf b s001 0 eng
010 $a 2008035900
015 $aGBA8E1248$2bnb
016 7 $a014857687$2Uk
020 $a9780520253032 (cloth : alk. paper)
020 $a0520253035 (cloth : alk. paper)
035 $a(OCoLC)ocn244481244
040 $aDLC$cDLC$dBTCTA$dUKM$dYDXCP$dC#P$dBWX$dCDX$dDLC
043 $an-us---
050 00 $aND237.R723$bL63 2009
082 00 $a759.13$222
100 1 $aLobel, Michael.
245 10 $aJames Rosenquist :$bpop art, politics, and history in the 1960s /$cMichael Lobel.
260 $aBerkeley :$bUniversity of California Press,$cc2009.
300 $ax, 214 p., [16] p. of plates :$bill. (some col.) ;$c27 cm.
500 $a"Ahmanson Murphy fine arts imprint"--Prelim. p.
504 $aIncludes bibliographical references (p. 193-202) and index.
505 0 $aAcknowledgments -- Introduction -- Between the billboard and the studio -- Approaching history -- Rosenquist repaints history : the curious case of President elect -- Summer of '64 : the World's Fair and the limits of pop -- F-111 -- Conclusion -- Notes -- Bibliography -- List of illustrations -- Index.
600 10 $aRosenquist, James,$d1933-$xCriticism and interpretation.
650 0 $aPop art$zUnited States.
700 1 $aRosenquist, James,$d1933-