Record ID | marc_loc_updates/v37.i43.records.utf8:42142226:1260 |
Source | Library of Congress |
Download Link | /show-records/marc_loc_updates/v37.i43.records.utf8:42142226:1260?format=raw |
LEADER: 01260nam a22002658a 4500
001 2009042901
003 DLC
005 20091020161055.0
008 091013s2010 mau b 001 0 eng
010 $a 2009042901
020 $a9780262014212 (hardcover : alk. paper)
040 $aDLC$cDLC
050 00 $aNX456.5.N49$bM37 2010
082 00 $a704/.088297$222
100 1 $aMarks, Laura U.,$d1963-
245 10 $aEnfoldment and infinity :$ban Islamic genealogy of new media art /$cLaura U. Marks.
260 $aCambridge, Mass. :$bMIT Press,$c2010.
263 $a1011
300 $ap. cm.
490 0 $aLeonardo books
504 $aIncludes bibliographical references and index.
505 0 $aGetting things unfolded -- Islamic aesthetics and new media art: points of contact -- The haptic transfer and the travels of the abstract line, part I -- The haptic transfer and the travels of the abstract line, part II -- The haptic transfer and the travels of the abstract line, part III -- Baghdad, 830: birth of the algorithm -- Baghdad, 1000: origin of the pixel -- Cairo, 972: ancestor of the morph -- Herat, 1487: early virtual reality -- Karabagh, 1700: seeds of artificial life.
650 0 $aNew media art.
650 0 $aIslam and art.
650 0 $aAesthetics, Arab.