| Record ID | marc_loc_updates/v37.i49.records.utf8:6588000:1529 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_updates/v37.i49.records.utf8:6588000:1529?format=raw |
LEADER: 01529cam a2200325 a 4500
001 2008046296
003 DLC
005 20091202091131.0
008 081021s2009 enkag b 001 0 eng
010 $a 2008046296
015 $aGBA983805$2bnb
016 7 $a015356572$2Uk
020 $a9780195386714
020 $a019538671X
035 $a(OCoLC)ocn265736857
040 $aDLC$cDLC$dC#P$dBWX$dCDX$dUBY$dUKM$dDLC
043 $ae-it---
050 00 $aML1733.4$b.P67 2009
082 00 $a782.10945/09034$222
100 1 $aPoriss, Hilary.
245 10 $aChanging the score :$barias, prima donnas, and the authority of performance /$cHilary Poriss.
260 $aOxford ;$aNew York :$bOxford University Press,$c2009.
300 $aviii, 226 p. :$bill., music ;$c25 cm.
490 0 $aAMS studies in music
504 $aIncludes bibliographical references (p. 205-215) and index.
505 0 $aA discourse of change -- Selecting a "perfect" entrance : Carolina Ungher and Marino Faliero -- Making their way through the world : Italian one-hit wonders -- Maria Malibran, I Capuleti e i Montecchi, and a tale of suicide -- Che vuol cantare? The lesson scene of Il barbiere di Siviglia -- An insertion aria speaks.
650 0 $aOpera$zItaly$y19th century.
650 0 $aOperas$xPerformances$zItaly$xHistory$y19th century.
856 42 $3Publisher description$uhttp://www.loc.gov/catdir/enhancements/fy1003/2008046296-d.html
856 42 $3Contributor biographical information$uhttp://www.loc.gov/catdir/enhancements/fy1003/2008046296-b.html