It looks like you're offline.
Open Library logo
additional options menu

MARC Record from Library of Congress

Record ID marc_loc_updates/v37.i51.records.utf8:7149826:1977
Source Library of Congress
Download Link /show-records/marc_loc_updates/v37.i51.records.utf8:7149826:1977?format=raw

LEADER: 01977nam a22003618a 4500
001 2009050344
003 DLC
005 20091215105717.0
008 091208s2010 miu b s001 0 eng
010 $a 2009050344
020 $a9780472117253 (cloth : alk. paper)
040 $aDLC$cDLC
043 $an-us-ny
050 00 $aPS338.N4$bW555 2010
082 00 $a812/.5209896073$222
100 1 $aWilson, James F.
245 10 $aBulldaggers, pansies, and chocolate babies :$bperformance, race, and sexuality in the Harlem Renaissance /$cJames F. Wilson.
260 $aAnn Arbor :$bUniversity of Michigan Press,$c2010.
263 $a1008
300 $ap. cm.
490 0 $aTriangulations: lesbian/gay/queer theater/drama/performance
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: "It's getting dark on old Broadway" -- "Gimme a pigfoot and a bottle of beer": parties, performances, and privacy in the "other" Harlem Renaissance(s) -- "Harlem on my mind": New York's black belt on the Great White Way -- "That's the kind of gal I am": drag balls, "sexual perversion," and David Belasco's Lulu Belle -- "Hottentot potentates": the potent and hot performances of Florence Mills and Ethel Waters -- "In my well of loneliness": Gladys Bentley's Bulldykin' blues -- Conclusion: "you've seen Harlem at its best".
650 0 $aAmerican drama$xAfrican American authors$xHistory and criticism.
650 0 $aAmerican drama$y20th century$xHistory and criticism.
650 0 $aAfrican Americans in the performing arts$zNew York (State)$zNew York$xHistory$y20th century.
650 0 $aTheater$zNew York (State)$zNew York$xHistory$y20th century.
650 0 $aAfrican Americans$zNew York (State)$zNew York$xIntellectual life.
650 0 $aHarlem (New York, N.Y.)$xIntellectual life$y20th century.
650 0 $aHarlem Renaissance.
650 0 $aAfrican Americans in literature.
650 0 $aRace in literature.
650 0 $aSex in the theater.