| Record ID | marc_loc_updates/v38.i09.records.utf8:6559507:1702 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_updates/v38.i09.records.utf8:6559507:1702?format=raw |
LEADER: 01702cam a2200313 a 4500
001 2007907339
003 DLC
005 20100226090210.0
008 080428s2008 iau b s001 0 eng d
010 $a 2007907339
020 $a9781587296352
020 $a1587296357
035 $a(OCoLC)ocn179836442
040 $aBTCTA$cBTCTA$dBAKER$dYDXCP$dSUC$dIXA$dDLC
042 $alccopycat
043 $an-us---
050 00 $aPS325$b.J46 2008
082 00 $a811/.5409$222
100 1 $aJenkins, Grant Matthew.
245 10 $aPoetic obligation :$bethics in experimental American poetry after 1945 /$cG. Matthew Jenkins.
260 $aIowa City :$bUniversity of Iowa Press,$cc2008.
300 $axv, 263 p. ;$c25 cm.
504 $aIncludes bibliographical references (p. [243]-258) and index.
505 0 $aIntroduction: The double-double turn -- pt. 1. Objectivist poethics -- Saying obligations: George Oppen's Of being numerous -- A phenomenology of judgment: Charles Reznikoff's Holocaust -- pt. 2. Excess and eros. The ethics of excess: Edward Dorn's Gunslinger -- The body ethical: Robert Duncan's Passages -- pt. 3. An ethics of sexual alterity. The nearnes sof poetry: Susan Howe's The nonconformist's memorial -- Permeable ethics: Lyn Hejinian's The cell -- Conclusion: What difference does poetic obligation make?
650 0 $aAmerican poetry$y20th century$xHistory and criticism.
650 0 $aExperimental poetry, American$xHistory and criticism.
650 0 $aEthics in literature.
856 42 $3Contributor biographical information$uhttp://www.loc.gov/catdir/enhancements/fy0829/2007907339-b.html
856 42 $3Publisher description$uhttp://www.loc.gov/catdir/enhancements/fy0829/2007907339-d.html