| Record ID | marc_loc_updates/v38.i16.records.utf8:15678768:1140 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_updates/v38.i16.records.utf8:15678768:1140?format=raw |
LEADER: 01140cam a2200325 a 4500
001 2009673756
003 DLC
005 20100413095746.0
008 091120s2009 gw ag b 000 0 ger d
010 $a 2009673756
020 $a9783897274228 (pbk.)
020 $a3897274221 (pbk.)
035 $a(OCoLC)ocn505184815
035 $a(OCoLC)505184815
040 $aCOO$cCOO$dDLC
042 $alccopycat
050 00 $aMT6$b.P275 2009
245 00 $aPassagen :$bTheorien des Übergangs in Musik und anderen Kunstformen /$cherausgegeben von Christian Utz und Martin Zenck.
260 $aSaarbrücken :$bPfau,$c2009.
300 $a244 p. :$bill., music ;$c21 cm.
490 1 $aMusik.theorien der Gegenwart ;$v3
504 $aIncludes bibliographical references.
500 $aArticles in German with English summaries (p. 233-240)
650 0 $aMusic theory$vCongresses.
650 0 $aMusic$xHistory and criticism$vCongresses.
650 0 $aMusic and culture$vCongresses.
700 1 $aUtz, Christian.
700 1 $aZenck, Martin.
830 0 $aMusik.theorien der Gegenwart ;$v3.
856 42 $uhttp://d-nb.info/996031847/04$3Inhaltsverzeichnis