| Record ID | marc_loc_updates/v38.i16.records.utf8:20637594:1174 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_updates/v38.i16.records.utf8:20637594:1174?format=raw |
LEADER: 01174cam a2200289 a 4500
001 2010399206
003 DLC
005 20100419130440.0
008 100311s2009 enka 100 0 eng c
010 $a 2010399206
020 $a1443813613
020 $a9781443813617
035 $a(OCoLC)ocn438642586
040 $aYDXCP$cYDXCP$dCDX$dNDD$dDLC
042 $apcc
050 00 $aN6848$b.A584 2009
082 00 $a709.4409/04$222
245 00 $aAcademics, pompiers, official artists and the arrière-garde :$bdefining modern and traditional in France, 1900-1960 /$cedited by Natalie Adamson and Toby Norris.
260 $aNewcastle upon Tyne :$bCambridge Scholars,$c2009.
300 $axiii, 247 p. :$bill. ;$c21 cm.
500 $a"This book originated in a panel of papers presented at the College Art Association Annual Conference in Boston, 2006"--Acknowledgements.
650 0 $aArt, French$y20th century.
650 0 $aAvant-garde (Aesthetics)$zFrance$xHistory$y20th century.
651 0 $aFrance$xIntellectual life$y20th century.
700 1 $aAdamson, Natalie.
700 1 $aNorris, Toby.
710 2 $aCollege Art Association of America.$bConference$d(2006 :$cBoston, Mass.)