| Record ID | marc_loc_updates/v38.i26.records.utf8:19402797:1231 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_updates/v38.i26.records.utf8:19402797:1231?format=raw |
LEADER: 01231cam a2200265 a 4500
001 2009020945
003 DLC
005 20100626094024.0
008 090527s2009 txua b 001 0 eng
010 $a 2009020945
015 $aGBA984858$2bnb
016 7 $a015357625$2Uk
020 $a9781602581395 (pbk. : alk. paper)
020 $a1602581398 (pbk. : alk. paper)
035 $a(OCoLC)ocn318879504
040 $aDLC$cDLC$dBTCTA$dUKM$dC#P$dCDX$dLMR$dDLC
050 00 $aML3921.8.P67$bG45 2009
082 00 $a781.64/112$222
100 1 $aGilmour, Michael J.
245 10 $aGods and guitars :$bseeking the sacred in post-1960s popular music /$cMichael J. Gilmour.
260 $aWaco, Tex. :$bBaylor University Press,$cc2009.
300 $axvi, 200 p. :$bill. ;$c23 cm.
504 $aIncludes bibliographical references (p. 185-193) and index.
505 0 $aSpirituality in post-1960s lyrics -- Religion on record : popular music's anxiety of influence -- Church in a guitar case : comfort and compassion in popular music -- Outrageous religion : sex, defiance, and obsession with the sacred -- Looking beyond the steeple and menorah -- Fade out : stealing from the sacred and rewriting religion.
650 0 $aPopular music$xReligious aspects.