MARC Record from Library of Congress

LEADER: 01720cam a2200325 a 4500
001 2010041800
003 DLC
005 20110706110717.0
008 101013s2011 nyua b 001 0 eng
010 $a 2010041800
020 $a9780820468433 (pbk. : alk. paper)
020 $a0820468436 (pbk. : alk. paper)
035 $a(OCoLC)ocn670247538
040 $aDLC$cDLC$dYDX$dYDXCP$dCDX$dLML$dDLC
042 $apcc
043 $an-us---
050 00 $aPS374.D4$bS52 2011
082 00 $a813/.087209$222
100 1 $aShiloh, Ilana.
245 14 $aThe double, the labyrinth and the locked room :$bmetaphors of paradox in crime fiction and film /$cIlana Shiloh.
260 $aNew York :$bPeter Lang,$cc2011.
300 $aviii, 186 p. :$bill. ;$c23 cm.
504 $aIncludes bibliographical references (p. [175]-182) and index.
505 0 $aIntroduction -- The deconstruction of reason in Poe's Tales of ratiocination. The double. Existential doubles : Dashiell Hammett's The Maltese falcon -- Subversive doubles : Patricia Highsmith's The talented Mr. Ripley -- Doubles : Christopher Nolan's Memento -- The labyrinth. Avatars of the labyrinth : Jorge Luis Borges's Death and the compass -- Justice as a labyrinth : the Coen Brothers' The man who wasn't there -- The book as a labyrinth : Mark Danielewski's House of leaves -- The locked room. The locked room of the self : Paul Auster's The New York trilogy -- Conclusion.
650 0 $aDetective and mystery stories, American$xHistory and criticism.
650 0 $aDetective and mystery films$xHistory and criticism.
650 0 $aMetaphor in literature.
650 0 $aMetaphor in motion pictures.
650 0 $aSplit self in literature.
650 0 $aDoubles in literature.