| Record ID | marc_loc_updates/v39.i34.records.utf8:17078846:1329 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_updates/v39.i34.records.utf8:17078846:1329?format=raw |
LEADER: 01329nam a22002658a 4500
001 2011034751
003 DLC
005 20110822181816.0
008 110819s2011 inu bq s000 0beng
010 $a 2011034751
020 $a9780871952967 (cloth : alk. paper)
040 $aDLC$cDLC
042 $apcc
043 $an-us---
050 00 $aPN1998.3.W569$bG46 2011
082 00 $a791.4302/33092$aB$223
100 1 $aGehring, Wes D.
245 10 $aRobert Wise :$bshadowlands /$cWes D. Gehring.
260 $aIndianapolis :$bIndiana Historical Society Press,$c2011.
263 $a1112
300 $ap. cm.
504 $aIncludes bibliographical references and filmography.
505 0 $aThe early years -- A career detour: 1930s Hollywood -- Orson Welles -- Val Lewton and becoming a director -- Lewton and Maupassant: a template picture -- Wise's first noir classic: Born to kill -- Signature cinema: the set-up -- Life after RKO: The day the earth stood still and genre diversity -- Melodrama in various war settings: Run silent, run deep as metaphor -- "portraits" and biographies doubling as melodramas and/or noirs -- Wise's brass-ring decade: the 1960s -- Filmmaking: "a terribly expensive paint box" -- Epilogue.
600 10 $aWise, Robert,$d1914-2005.
650 0 $aMotion picture producers and directors$zUnited States$vBiography.