| Record ID | marc_loc_updates/v39.i34.records.utf8:17102660:1356 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_updates/v39.i34.records.utf8:17102660:1356?format=raw |
LEADER: 01356nam a22002538a 4500
001 2011034800
003 DLC
005 20110822161942.0
008 110822s2012 ilu bq s001 0 eng
010 $a 2011034800
020 $a9780252078415 (pbk. : alk. paper)
040 $aDLC$cDLC
042 $apcc
050 00 $aPN1998.3.K585$bC58 2012
082 00 $a791.4302/33092$aB$223
100 1 $aChung, Hye Seung,$d1971-
245 10 $aKim ki-duk /$cHye Seung Chung.
260 $aUrbana :$bUniversity of Illinois Press,$c2012.
263 $a1202
300 $ap. cm.
504 $aIncludes bibliographical references and index.
504 $aIncludes filmography.
505 0 $aBeyond "extreme": the cinema of ressentiment. Kim Ki-duk: towards a more perfect imperfection -- An auteur is born: fishhooks, critical debates, and transnational canons -- On suffering and sufferance: postcolonial pain and the "purloined letter" in Address unknown -- Reconciling the paradox of silence and apologia: Bad guy, The isle, and 3-iron -- Neofeminist revisions: female bodies and semiotic chora in Birdcage inn and Samaritan girl -- The bodhisattva inner-eye: inwardly drawn transcendence in Spring, summer, fall, winter--and spring -- Interview with Kim Ki-duk: from Crocodile to Address unknown / by Kim So-Hee.
600 10 $aKim, Ki-duk,$d1960-$xCriticism and interpretation.