| Record ID | marc_loc_updates/v39.i34.records.utf8:21124547:1297 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_updates/v39.i34.records.utf8:21124547:1297?format=raw |
LEADER: 01297nam a22002895a 4500
001 2011453719
003 DLC
005 20110817111716.0
008 110809s2011 enk 000 0 eng c
010 $a 2011453719
015 $aGBB0A2252$2bnb
016 7 $a015635578$2Uk
020 $a9781848857315 (pbk.)
020 $a1848857314 (pbk.)
035 $a(OCoLC)ocn659244938
040 $aUKM$cPUL$dUKM$dUKWOH$dYDXCP$dDLC
042 $apcc
100 1 $aRobertson, Robert.
245 10 $aEisenstein on the audiovisual :$bthe montage of music, image and sound in cinema /$cRobert Robertson.
260 $aLondon :$bI.B. Tauris,$c2011.
300 $axii, 239 p. :$bill. ;$c22 cm.
490 1 $aKINO, the Russian cinema series
520 8 $aThe pioneering film director and theorist Sergei Eisenstein is known for the unequalled impact his films have had on the development of cinema. Less is known about his writings, which present a continent of ideas about film. This book presents an introduction to a key area of Eisenstein's thought: his ideas about the audiovisual in cinema.
600 10 $aEisenstein, Sergei,$d1898-1948$xCriticism and interpretation.
650 0 $aSound in motion pictures.
650 0 $aMotion picture music$xAnalysis, appreciation.
830 0 $aKINO, the Russian cinema series.