| Record ID | marc_loc_updates/v39.i37.records.utf8:5045696:1396 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_updates/v39.i37.records.utf8:5045696:1396?format=raw |
LEADER: 01396cam a2200301 a 4500
001 2010027524
003 DLC
005 20110906094815.0
008 100628s2010 enka b 001 0 eng
010 $a 2010027524
015 $aGBB075031$2bnb
016 7 $a015583181$2Uk
020 $a9780230230491
020 $a0230230490
035 $a(OCoLC)ocn647976796
040 $aDLC$cDLC$dYDX$dYDXCP$dBWK$dUKM$dBTCTA$dLML$dCDX$dDLC
042 $apcc
043 $an-us---
050 00 $aPN1995.9.M86$bK48 2010
082 00 $a791.43/6$222
100 1 $aKessler, Kelly,$d1972-
245 10 $aDestabilizing the Hollywood musical :$bmusic, masculinity and mayhem /$cKelly Kessler.
260 $aBasingstoke, Hampshire [England] ;$aNew York :$bPalgrave Macmillan,$c2010.
300 $axiii, 256 p. :$bill. ;$c23 cm.
504 $aIncludes bibliographical references (p. 237-244) and index.
505 0 $aIntroduction : The musical and masculinity take a turn for the ambivalent -- Nothing is comin' up roses : the desertion of narrative utopia -- On a clear day you can see the cracks in the scenery: visual reflexivity and realism trump nostalgic idealism -- Wanna sing and dance? these new guys are ambivalent about it -- The new guard's musical masculinity -- Epilogue : I could go on singing.
650 0 $aMusical films$zUnited States$xHistory and criticism.
650 0 $aMasculinity in motion pictures.